Hunt, William Holman (1827-1910) The Lady of Shalott c.1886–1905 Oil on canvas, 188.3 x 146.4 cm Wadsworth Atheneum, Hartford “Do not forsake your duties” is the overall message Hunt wanted to convey in his painting. The Lady, heroine of a Tennyson…
Picasso, Pablo (1881-1973) Tête d’homme et nu assis (Head of a Man and Seated Nude) 1964 Oil on canvas, 65 x 81 cm Princeton University Art Museum, Princeton Produced late in Picasso’s career, many years after the Cubist period that defined…
Morris, William (1834-1896) La Belle Iseult 1858 Oil on canvas, 71.8 x 50.2 cm Tate Britain, London This is the only completed easel painting that William Morris produced. It is a portrait in medieval dress of Jane Burden, whom Morris married…
Rubens, Peter Paul (1577-1640) Samson and Delilah c.1609–1610 Oil on wood, 185 × 205 cm National Gallery, London Peter Paul Rubens’s Samson and Delilah portrays a tragedy of love and betrayal. According to the Old Testament, Samson, a Jewish hero blessed…
Fragonard, Jean-Honoré (1732-1806) Psyché montrant à ses soeurs les présents de l’amour (Psyche showing her Sisters her Gifts from Cupid) 1753 Oil on canvas, 168.3 × 192.4 cm National Gallery, London This painting illustrates an episode from the classical story of Cupid…
El Greco (1541-1614) Adoración del Nombre de Jesús (The Adoration of the Name of Jesus) late 1570s Oil and egg tempera on pine, 55.1 × 33.8 cm National Gallery, London This picture is closely related to a larger work of the…
Aalto, Alvar (1898-1976) Bathmat (Furnishing Fabric) c.1950s Linen, cotton, and rayon, plain weave; double cloth, 276.6 × 56 cm Art Institute of Chicago, Chicago
Memling, Hans (c.1430-1494) Madonna and Child with Angels after 1479 Oil on panel, 57.6 x 46.4 cm National Gallery of Art, Washington In the tradition of his Flemish predecessors, Memling‘s painting contains a wealth of religious meaning; it is filled with symbols…
David, Jacques-Louis (1748-1825) L’empereur Napoléon dans son cabinet aux Tuileries (The Emperor Napoleon in His Study at the Tuileries) 1812 Oil on canvas, 203.9 × 125.1 cm National Gallery of Art, Washington How do portraits influence the way we see historic figures?…
Carracci, Annibale (1560-1609) Venere adornata dalle Grazie (Venus Adorned by the Graces) c.1590–1595 Oil on panel transferred to canvas, 133 x 170.5 cm National Gallery of Art, Washington In the left half of this horizontal painting, a bare-chested, seated woman, Venus, is…