Cranach, Lucas the Elder (1472-1553) Portrait of a German Prince s.d. Oil on paper, 22.5 x 17.5 cm Musée du Louvre, Paris
Portrait of a German Prince (s.d.)
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Head of a young woman with downcast eyes (1872)
Burne-Jones, Edward (1833-1898) Head of a young woman with downcast eyes 1872 Pencil on paper, 25.3 x 17.8 cm Musée du Louvre, Paris
Santa Barbara (1522)
Parmigianino (1503-1540) Santa Barbara (Saint Barbara) 1522 Oil on panel, 48 x 39 cm Museo del Prado, Madrid A portrait of Saint Barbara in profile on a black background. In her hands, she holds a tower, which was her symbol. A…
La Bella (1536-1538)
Tiziano (c.1488-1576) La Bella (Portrait of a Lady) 1536–1538 Oil on canvas, 89 × 75.5 cm Galleria Palatina, Palazzo Pitti, Firenze The female portrait, known by its complimentary epithet “La Bella”, is one of the most famous paintings of the later years of…
San Francesco sorretto dall’angelo (c.1607)
Gentileschi, Orazio (1563-1639) San Francesco sorretto dall’angelo (Saint Francis supported by an Angel) c.1607 Oil on canvas, 126 x 98 cm Museo del Prado, Madrid The subject of the angelic consolation of Saint Francis became popular in the second half of…
La Vie (1903)
Picasso, Pablo (1881-1973) La Vie (Life) 1903 Oil on canvas, 196.5 x 129.2 cm Cleveland Museum of Art, Cleveland In 1901, depressed over the suicide of a close friend, Picasso launched into the melancholic paintings of his Blue period (1901–4). Only…
Orozco Mural, Preparatoria, Man Kissing Nun’s Hand (1926)
Modotti, Tina (1896-1942) Orozco Mural, Preparatoria, Man Kissing Nun’s Hand 1926 Gelatin silver print, 18.3 x 24 cm Cleveland Museum of Art, Cleveland See also: • Orozco, José Clemente (1883-1949)
Persée et Andromède (c.1819)
Ingres, Jean Auguste Dominique (1780-1867) Persée et Andromède (Perseus and Andromeda) c.1819 Oil on canvas, 19.7 × 16.2 cm Detroit Institute of Arts, Detroit Ingres‘s vulnerable figure of Andromeda is the “classic” idealized figure study. The fact that she is being…
Autoritratto come allegoria della Pittura (1638-1639)
Gentileschi, Artemisia (1593-c.1653) Autoritratto come allegoria della Pittura (Self-portrait as the Allegory of Painting) 1638–1639 Oil on canvas, 98.6 x 75.2 cm Royal Collection, Buckingham Palace, London Artemisia Gentileschi was invited to London in 1638 by Charles I, and probably produced this…
Cupido che fabbrica l’arco (1534-1539)
Parmigianino (1503-1540) Cupido che fabbrica l’arco (Bowcarving Cupid) 1534–1539 Oil on lime, 135.5 × 65 cm Kunsthistorisches Museum, Vienna The inspiration for this painting may have come from a sculpture that Parmigianino may have seen in the Grimani Collection in Venice in…