Bouguereau, William-Adolphe (1825-1905) Jeune fille assise tenant une pomme (Girl with an Apple) 1905 Oil on canvas, 88.9 × 57.47 cm Dallas Museum of Art, Dallas At the end of his career, Bouguereau retreated from Paris to the idyllic coastal…
Cassatt, Mary (1844-1926) Sleepy Baby c.1910 Pastel on paper, 64.77 x 52.07 cm Dallas Museum of Art, Dallas Beginning in the 1880s, Mary Cassatt began to investigate themes of mothers and children. This intensely intimate, tightly cropped scene alternates between…
Gauguin, Paul (1848-1903) Portrait d’homme (Portrait of a Man) c.1880 Oil on canvas, 27.62 × 19.05 cm Dallas Museum of Art, Dallas This small portrait head has been identified by Paul Gauguin‘s son, Pola, as a portrait of the painters’…
Renoir, Pierre-Auguste (1841-1919) Lise au châle blanc (Lise in a White Shawl) c.1872 Oil on canvas, 56.2 × 46.36 cm Dallas Museum of Art, Dallas Emery Reves and Douglas Cooper each considered this superb – and sentimental – portrait of…
Chagall, Marc (1887-1985) Les amoureux (The Lovers) 1959 Watercolor on paper, 64 x 49 cm Museo Nacional de Bellas Artes, Buenos Aires See also: • Paris (France) | Tour Eiffel
Modigliani, Amedeo (1884-1920) Buste de femme (Female bust) s.d. Oil on canvas, 73 x 50 cm Museo Nacional de Bellas Artes, Buenos Aires Throughout his career, Modigliani demonstrated an almost exclusive devotion to single figures, which he described as a…
Modigliani, Amedeo (1884-1920) Figure féminine (Female figure) s.d. Oil on canvas, 61 x 46 cm Museo Nacional de Bellas Artes, Buenos Aires
Modigliani, Amedeo (1884-1920) Femme au corsage blanc (Woman in a White Blouse) 1917 Oil on canvas, 55 x 38 cm Museo Nacional de Bellas Artes, Buenos Aires
Modigliani, Amedeo (1884-1920) Manuel Ortiz de Zárate s.d. Graphite on paper, 27.4 x 21.2 cm Museo Nacional de Bellas Artes, Buenos Aires See also: • Ortiz de Zárate, Manuel (1887-1946)
Léger, Fernand (1881-1955) Marie l’acrobate (Mary the Acrobat) 1936 Oil on canvas, 130 x 97 cm Museo Nacional de Bellas Artes, Buenos Aires Circus images began to appear in Léger’s work roughly twenty years prior to Marie l’acrobate (Marie, the…