Pissarro, Camille (1830-1903) Vue de l’Hermitage, Côte de Jalais, Pontoise (View of l’Hermitage, Jalais Hills, Pontoise) c.1867 Oil on canvas, 70 x 100 cm Private collection See also: • Hermitage (Pontoise)
Pissarro, Camille (1830-1903) Le Boulevard Montmartre, matin d’hiver (The Boulevard Montmartre on a Winter Morning) 1897 Oil on canvas, 64.8 x 81.3 cm Metropolitan Museum of Art, New York After spending six years in rural Eragny, Pissarro returned to Paris, where he…
Pissarro, Camille (1830-1903) Le Boulevard Montmartre à Paris (Boulevard Montmartre in Paris) 1897 Oil on canvas, 74 x 92.8 cm Hermitage Museum, Saint Petersburg Like Claude Monet, Pissarro, an outstanding representative of the Impressionist movement, often painted whole series of works showing…
Pissarro, Camille (1830-1903) Boulevard Montmartre, matin, temps gris (Boulevard Montmartre, morning, cloudy weather) 1897 Oil on canvas, 73 x 92 cm National Gallery of Victoria, Melbourne On 8 February 1897, after a discussion with his dealer Paul Durand-Ruel, the Éragny-based Camille…
Caillebotte, Gustave (1848-1894) Père Magloire sur la route entre Saint-Clair et Étretat (Father Magloire on the Road between Saint-Clair and Étretat) 1884 Oil on canvas, 65 x 54 cm Private collection Compare: Caillebotte, Gustave (1848-1894) Père Magloire sur le chemin…
Caillebotte, Gustave (1848-1894) Partie de bateau, dit Canotier au chapeau haut de forme (Boating Party, or Canotier with the top hat) c.1877–1878 Oil on canvas, 89.5 x 116.7 cm Musée d’Orsay, Paris « Partie de bateau » or « Canotier au…
Caillebotte, Gustave (1848-1894) Périssoires sur l’Yerres (Boating on the Yerres) 1877 Oil on canvas, 103.51 x 155.89 cm Milwaukee Art Museum, Milwaukee Gustave Caillebotte associated with Monet and Degas as an art student and, beginning in the mid-1870s, became one of…
Caillebotte, Gustave (1848-1894) Pont de l’Europe (On the Pont de l’Europe) 1876–1877 Oil on canvas, 105.7 x 130.8 cm Kimbell Art Museum, Fort Worth Although his closest artist friends were Monet and Renoir, the key advocates for loose brushwork and bright color,…