Tag: figure

Boulevard Montmartre, printemps (1897)

Pissarro, Camille (1830-1903) Boulevard Montmartre, printemps (Boulevard Montmartre, Spring) 1897 Oil on canvas, 65 x 81 cm Israel Museum, Jerusalem See also: • Boulevard Montmartre (Paris) | Streets | Streets (Paris)

Le Boulevard Montmartre, matin d’hiver (1897)

Pissarro, Camille (1830-1903) Le Boulevard Montmartre, matin d’hiver (The Boulevard Montmartre on a Winter Morning) 1897 Oil on canvas, 64.8 x 81.3 cm Metropolitan Museum of Art, New York After spending six years in rural Eragny, Pissarro returned to Paris, where he…

Le Boulevard Montmartre à Paris (1897)

Pissarro, Camille (1830-1903) Le Boulevard Montmartre à Paris (Boulevard Montmartre in Paris) 1897 Oil on canvas, 74 x 92.8 cm Hermitage Museum, Saint Petersburg Like Claude Monet, Pissarro, an outstanding representative of the Impressionist movement, often painted whole series of works showing…

Boulevard Montmartre, matin, temps gris (1897)

Pissarro, Camille (1830-1903) Boulevard Montmartre, matin, temps gris (Boulevard Montmartre, morning, cloudy weather) 1897 Oil on canvas, 73 x 92 cm National Gallery of Victoria, Melbourne On 8 February 1897, after a discussion with his dealer Paul Durand-Ruel, the Éragny-based Camille…

Partie de bateau (c.1877-1878)

Caillebotte, Gustave (1848-1894) Partie de bateau, dit Canotier au chapeau haut de forme (Boating Party, or Canotier with the top hat) c.1877–1878 Oil on canvas, 89.5 x 116.7 cm Musée d’Orsay, Paris « Partie de bateau » or « Canotier au…

Périssoires sur l’Yerres (1877)

Caillebotte, Gustave (1848-1894) Périssoires sur l’Yerres (Boating on the Yerres) 1877 Oil on canvas, 103.51 x 155.89 cm Milwaukee Art Museum, Milwaukee Gustave Caillebotte associated with Monet and Degas as an art student and, beginning in the mid-1870s, became one of…

Pont de l’Europe (1876-1877)

Caillebotte, Gustave (1848-1894) Pont de l’Europe (On the Pont de l’Europe) 1876–1877 Oil on canvas, 105.7 x 130.8 cm Kimbell Art Museum, Fort Worth Although his closest artist friends were Monet and Renoir, the key advocates for loose brushwork and bright color,…