Andrea del Sarto (1486-1530) Sacra Famiglia Medici (Madonna and Child, Saint Elizabeth and Saint John the Baptist) c.1529 Oil on panel, 140 × 104 cm Galleria Palatina, Palazzo Pitti, Firenze The scene is built with a diagonal layout of the four figures intent…
Bernini, Gian Lorenzo (1598-1680) San Lorenzo (Saint Lawrence) 1617 Marble, 66 x 108 cm Galleria degli Uffizi, Firenze
Ribera, Jusepe de (1591-1652) San Girolamo (Saint Jerome) c.1638–1640 Oil on canvas, 129 x 100.3 cm Cleveland Museum of Art, Cleveland Saint Jerome (about ad 347–420) translated biblical texts into Latin. Although he sometimes appears as a scholar in his study,…
Murillo, Bartolomé Esteban (1617-1682) Labán en busca de sus dioses domésticos robados (Laban Searching for his Stolen Household Gods) c.1665–1670 Oil on canvas, 243 x 362 cm Cleveland Museum of Art, Cleveland This story comes from the Old Testament book of…
Murer, Eugène (1841-1906) Trilogy of Months, state II s.d. Color lithograph, 82.2 x 61 cm Cleveland Museum of Art, Cleveland See also: • Vollard, Ambroise (1866-1939)
Memmi, Lippo (c.1291-1356) Madonna col Bambino (Madonna and Child) c.1350 Tempera and gold on poplar panel, 71.3 x 44 cm Cleveland Museum of Art, Cleveland Attributed to Lippo Memmi. On the eve of the Battle of Montaperti in 1260, the Tuscan…
Ingres, Jean Auguste Dominique (1780-1867) Persée et Andromède (Perseus and Andromeda) c.1819 Oil on canvas, 19.7 × 16.2 cm Detroit Institute of Arts, Detroit Ingres‘s vulnerable figure of Andromeda is the “classic” idealized figure study. The fact that she is being…
Gentileschi, Artemisia (1593-c.1653) Autoritratto come allegoria della Pittura (Self-portrait as the Allegory of Painting) 1638–1639 Oil on canvas, 98.6 x 75.2 cm Royal Collection, Buckingham Palace, London Artemisia Gentileschi was invited to London in 1638 by Charles I, and probably produced this…
Parmigianino (1503-1540) Cupido che fabbrica l’arco (Bowcarving Cupid) 1534–1539 Oil on lime, 135.5 × 65 cm Kunsthistorisches Museum, Vienna The inspiration for this painting may have come from a sculpture that Parmigianino may have seen in the Grimani Collection in Venice in…
Millais, John Everett (1829-1896) Ophelia 1851–1852 Oil on canvas, 76.2 x 111.8 cm Tate Britain, London The scene depicted is from Shakespeare‘s Hamlet, Act IV, Scene vii, in which Ophelia, driven out of her mind when her father is murdered by…