Perugino (c.1446-1523) Noli Me Tangere 1500–1505 Tempera on panel, transferred to canvas, 27.3 × 46.3 cm Art Institute of Chicago, Chicago Perugino’s serene and decorous art was widely influential in his native region of Umbria and beyond, most famously through his contact…
Perugino (c.1446-1523) Cristo e la donna di Samaria (Christ and the Woman of Samaria) 1500–1505 Tempera on panel, transferred to canvas, 27.3 × 46.3 cm Art Institute of Chicago, Chicago Perugino’s serene and decorous art was widely influential in his native region…
Perugino (c.1446-1523) Il battesimo di Cristo (The Baptism of Christ) 1500–1505 Tempera on panel, transferred to canvas, 27.3 × 46.4 cm Art Institute of Chicago, Chicago Perugino’s serene and decorous art was widely influential in his native region of Umbria and beyond,…
Perugino (c.1446-1523) La resurrezione (The Resurrection) 1500–1505 Tempera on wood, 27 x 45.7 cm Metropolitan Museum of Art, New York This exceptionally well-preserved picture and four others in the Art Institute of Chicago formed the base (predella) of an altarpiece—possibly the large…
Perugino (c.1446-1523) San Girolamo penitente (Penitent St. Jerome) c.1502 Oil on olive wood, 29.7 × 22.5 cm Kunsthistorisches Museum, Vienna
Perugino (c.1446-1523) Santa Maria Maddalena (Saint Mary Magdalene) c.1482–1485 Oil on panel transferred to canvas, 95 x 30.1 cm National Gallery of Art, Washington Pietro Vannucci, called Perugino after the city in which he often lived, collaborated with other celebrated painters in one of…
Perugino (c.1446-1523) Crocifissione (Crucifixion) c.1482–1485 Oil on panel transferred to canvas, 101.5 x 56.5 cm National Gallery of Art, Washington Pietro Vannucci, called Perugino after the city in which he often lived, collaborated with other celebrated painters in one of the most…
Perugino (c.1446-1523) San Girolamo (Saint Jerome) c.1482–1485 Oil on panel transferred to canvas, 95 x 30.1 cm National Gallery of Art, Washington Pietro Vannucci, called Perugino after the city in which he often lived, collaborated with other celebrated painters in one of the most…
Perugino (c.1446-1523) Trittico Galitzin (The Crucifixion with the Virgin, Saint John, Saint Jerome, and Saint Mary Magdalene) c.1482–1485 Oil on panel transferred to canvas National Gallery of Art, Washington Pietro Vannucci, called Perugino after the city in which he often lived, collaborated with…
Perugino (c.1446-1523) Consegna delle chiavi (The Delivery of the Keys) 1481–1482 Fresco, 335 × 550 cm Cappella Sistina, Vaticano