Renoir, Pierre-Auguste (1841-1919) Dans la prairie (In the Meadow) 1888–1892 Oil on canvas, 81.3 x 65.4 cm Metropolitan Museum of Art, New York Between 1888 and 1892 Renoir painted a number of works in which the same pair of girls—the…
Renoir, Pierre-Auguste (1841-1919) Personnes sur la plage (Figures on the Beach) 1890 Oil on canvas, 52.7 x 64.1 cm Metropolitan Museum of Art, New York Probably painted in 1890 on the Cote d’Azur in southern France, this sun-filled painting shows…
Renoir, Pierre-Auguste (1841-1919) Femme assise au bord de la mer (By the Seashore) 1883 Oil on canvas, 92.1 x 72.4 cm Metropolitan Museum of Art, New York Renoir likely painted this work in his studio, posing his model in a…
Renoir, Pierre-Auguste (1841-1919) Bouquet de chrysanthèmes (Bouquet of Chrysanthemums) 1881 Oil on canvas, 66 x 55.6 cm Metropolitan Museum of Art, New York Renoir felt that he had greater freedom to experiment in still lifes than in figure paintings. “When…
Renoir, Pierre-Auguste (1841-1919) Baie de Naples au matin (The Bay of Naples) 1881 Oil on canvas, 59.7 x 81.3 cm Metropolitan Museum of Art, New York The corner of the balcony visible at lower left in this composition indicates Renoir’s…
Rembrandt (1606-1669) Portrait of Titus van Rijn c.1662 Oil on canvas, 72 x 56 cm Musée du Louvre, Paris Since 1873 (Bode), considered a portrait of Titus, Rembrandt‘s son, while the painting passed for a long time (end of the…
Rembrandt (1606-1669) Venus and Cupid after 1660 Oil on canvas, 118 x 90 cm Musée du Louvre, Paris Former title: Hendrickje Stoffels as Venus For vague reasons of resemblance, the painting passes, a pure supposition of Bredius (1910), to represent…
Rembrandt (1606-1669) Portrait of Hendrickje Stoffels c.1654 Oil on canvas, 74 x 61 cm Musée du Louvre, Paris Since 1883 (Bode), the model has passed convincingly to be Hendrickje Stofetls, the painter’s partner after Saskia‘s death in 1642. Typical Neo-Vetanian…
Rembrandt (1606-1669) The Supper at Emmaus 1648 Oil on mahogany, 68 x 65 cm Musée du Louvre, Paris Scene taken from the Gospel of Saint Luke (XXIV, 13-33), in which Christ, the day after his resurrection, reveals his divinity to…