Tiziano (c.1488-1576) Bravo (The Bravo) c.1515–1520 Oil on canvas, 77 × 66.5 cm Kunsthistorisches Museum, Vienna Titian intensifies the close-up half-figure action picture developed by his teacher Giorgione into concentrated drama. The three-quarter portrait of the vine-leafed protagonist contrasts with the…
Tiziano (c.1488-1576) Madonna delle ciliegie (Cherry Madonna) c.1516–1518 Oil transferred from canvas to wood, 81.6 × 100.2 × 1.1 cm Kunsthistorisches Museum, Vienna On the left St. Joseph, on the right St. John the Boy and St. Zacharias. Similar to the…
Tiziano (c.1488-1576) Ninfa e pastore (Nymph and shepherd) c.1570–1575 Oil on canvas, 149.6 × 187 cm Kunsthistorisches Museum, Vienna The theme on which the picture is based has not yet been satisfactorily clarified, but Titian raised it to the mythical level…
Cranach, Lucas the Elder (1472-1553) Judith with the head of Holofernes c.1530 Oil on lime, 87.7 × 58.1 × 2.4 cm Kunsthistorisches Museum, Vienna Through courage and cunning, the Old Testament heroine had succeeded in penetrating Holofernes’ tent camp, which had…
Raffaello (1483-1520) Madonna del Prato (Madonna of the meadow) 1505–1506 Oil on poplar, 113 × 88.3 × 3.5 cm Kunsthistorisches Museum, Vienna Inscription on the hem of Mary’s dress with the year M.d.V. (perhaps also M.D.V.I. to be read) The group,…
Rubens, Peter Paul (1577-1640) Diana Returning from Hunt c.1616 Oil on canvas, 136 x 184 cm Gemäldegalerie Alte Meister, Dresden
Rubens, Peter Paul (1577-1640) Aeolus early 17th century Oil on canvas, 140 x 126 cm Museo del Prado, Madrid This work, together with Vulcano y el fuego (P1717), has been considered part of a possible series of four paintings that would…
Rubens, Peter Paul (1577-1640) Family of Jan Brueghel the Elder 1613–1615 Oil on panel, 95.2 x 125.1 cm Courtauld Institute of Art, London See also: • Brueghel, Jan the Elder (1568-1625) | Brueghel, Jan the Younger (1601-1678)
Rubens, Peter Paul (1577-1640) Bacchus 1638–1640 Oil on canvas, 191 x 161.3 cm Hermitage Museum, Saint Petersburg Bacchanalia was a favourite theme in Rubens‘s work, although Bacchus himself was rarely the subject of his paintings. He saw the subject as reflecting…
Rubens, Peter Paul (1577-1640) The Honeysuckle Bower c.1609–1610 Oil on canvas, transferred to wood, 178 x 136.5 cm Alte Pinakothek, Munich Rubens returned to Antwerp in 1608 after an eight-year stay in Italy. The following year he married Isabella Brant. This…