Rembrandt (1606-1669) The Toilet of Bathsheba 1643 Oil on wood, 57.2 x 76.2 cm Metropolitan Museum of Art, New York Rembrandt shows the biblical figure Bathsheba completely nude, lost in a moment of contemplation and unaware that she is being observed…
Rembrandt (1606-1669) Woman with a Pink early 1660s Oil on canvas, 92.1 x 74.6 cm Metropolitan Museum of Art, New York Her forehead crisscrossed with jewels, the sitter of this portrait displays a pink, or carnation, a symbol of love and…
Rembrandt (1606-1669) Portrait of a Young Woman with a Fan 1633 Oil on canvas, 125.7 x 101 cm Metropolitan Museum of Art, New York This animated portrait has a pendant showing the sitter’s husband rising from a chair (Taft Museum, Cincinnati).…
Rembrandt (1606-1669) Man in Oriental Costume (‘The Noble Slav’) 1632 Oil on canvas, 152.7 x 111.1 cm Metropolitan Museum of Art, New York Compared with Rembrandt‘s formal portraits of the same year, this picture is remarkable for its brilliant brushwork and…
Lairesse, Gérard de (1641-1711) Achilles Discovered among the Daughters of Lycomedes c.1680 Oil on canvas, 138 x 190 cm Mauritshuis, The Hague
Lairesse, Gérard de (1641-1711) Cleopatra’s Banquet c.1675–1680 Oil on canvas, 74 x 95.5 cm Rijksmuseum, Amsterdam Cleopatra made a bet with Mark Antony on who could give the most lavish banquet. She won by dissolving a priceless pearl in vinegar and…
Lairesse, Gérard de (1641-1711) Apollo and Aurora 1671 Oil on canvas, 204.5 x 193.4 cm Metropolitan Museum of Art, New York Largely forgotten today, De Lairesse was celebrated in his lifetime as a painter and advocate for an idealizing manner based…
Rembrandt (1606-1669) Bellona 1633 Oil on canvas, 127 x 97.5 cm Metropolitan Museum of Art, New York Typical of Rembrandt’s domestication of ancient myth, this depiction of the Roman goddess of war may have reflected the Dutch readiness for conflict during…
Rembrandt (1606-1669) Judith at the banquet of Holofernes 1634 Oil on canvas, 143 x 154.7 cm Museo del Prado, Madrid In the past various authors have expressed their scepticism about the attribution of the painting to Rembrandt. However, the Rembrandt Research…
Cagnacci, Guido (1601-1663) Marta rimprovera Maria per la sua vanità (Martha Rebuking Mary for her Vanity) after 1660 Oil on canvas, 229.2 x 266.1 cm Norton Simon Museum, Pasadena