Bellini, Giovanni (c.1430-1516) Cristo morto sostenuto da due angeli (The Dead Christ supported by Two Angels) c.1465–1470 Oil on wood, 95 × 71.7 cm National Gallery, London This type of image of Christ after his death – close up, showing his…
Cranach, Lucas the Elder (1472-1553) Portrait of a Woman 1525–1527 Oil on wood, 35.9 × 25.1 cm National Gallery, London Cranach only painted a handful of portraits showing women of the Saxon court during his time as court painter to the…
Pissarro, Camille (1830-1903) Portrait de Cézanne (Portrait of Cézanne) 1874 Oil on canvas, 73 × 59.7 cm National Gallery, London On loan from the collection of Laurence Graff OBE, © Laurence Graff OBE Pissarro‘s influence profoundly changed the direction of Cézanne‘s art…
Tissot, James (1836-1902) Jeune femme descendant les marches de la National Gallery à Londres (Young woman descending the steps of the National Gallery in London) 1878 Etching, 37.8 x 21 cm Rijksmuseum, Amsterdam Compare: Tissot, James (1836-1902) London Visitors 1874 Milwaukee Art…
(1857–1939) Maud in Art: Whistler, James (1834-1903) Arrangement in Yellow and Gray c.1876–1878 Rijksmuseum, Amsterdam Whistler, James (1834-1903) The Yellow Room c.1883–1884 Metropolitan Museum of Art, New York Born January 9 1857 Bicester (England) Died November 18 1939 near Cannes (France)…
(1909–1992) The artist’s works: Three Studies for Figures at the Base of a Crucifixion 1944 Tate Britain, London Study for a Portrait 1952 Tate Britain, London Study for Crouching Nude 1952 Detroit Institute of Arts, Detroit Study for ‘Portrait of Van Gogh IV’…
Reynolds, Joshua (1723-1792) A Nymph and Cupid: ‘The Snake in the Grass’ exhibited 1784 Oil on canvas, 124.5 x 99.1 cm Tate Britain, London Compare: Reynolds, Joshua (1723-1792) Cupid Untying the Zone of Venus 1788 Hermitage Museum, Saint Petersburg
Kandinsky, Wassily (1866-1944) Swinging (Schaukeln) 1925 Oil on board, 70.5 × 50.2 cm Tate Britain, London The title ‘Swinging’ captures this work’s sense of movement. Kandinsky believed painting should aim to be as abstract as music. He worked to create art that…
Kandinsky, Wassily (1866-1944) Cossacks (Cosaques) 1910–1911 Oil on canvas, 94.6 × 111.8 cm Tate Britain, London The ‘cossacks’ of the title are Russian cavalrymen which you can just recognise from their orange hats at the top and right of the painting. However…
Bonnard, Pierre (1867-1947) Pont de la Concorde 1913–1915 Oil on canvas, 60 × 83.2 cm Tate Britain, London A view from the Pont de la Concorde in Paris, looking up the Seine towards the Ile de la Cité and Notre-Dame. The other…