Turner, Joseph Mallord William (1775-1851) Mars and Venus, after Guercino 1802 Graphite on paper, 12.8 × 11.4 cm Tate Britain, London Compare: Guercino (1591-1666) Venere, Marte e Amore 1633 Galleria Estense, Modena
Gris, Juan (1887-1927) Le Pierrot au livre (Pierrot with Book) 1924 Oil on canvas, 65.5 × 50.8 cm Tate Britain, London On display at Tate Modern. Although this painting is resolutely figurative, it is strongly influenced by Cubism. Pierrot’s upper body…
Rossetti, Dante Gabriel (1828-1882) Study for Giotto Painting the Portrait of Dante 1852 Ink on paper, 19 × 16.8 cm Tate Britain, London The medieval Italian poet Dante Alighieri inspired some of Blake‘s and Rossetti‘s greatest pictures. They each saw Dante‘s writings…
Legros, Alphonse (1837-1911) Cupidon et Psyché (Cupid and Psyche) exhibited 1867 Oil on canvas, 116.8 × 141.4 cm Tate Britain, London The tale of Cupid and Psyche was written by the Roman poet Lucius Apuleius. Psyche was given a box, supposedly…
Gauguin, Paul (1848-1903) Moisson, Le Pouldu (Harvest: Le Pouldu) 1890 Oil on canvas, 73 × 92.1 cm Tate Britain, London In 1890 Gauguin was staying at Marie Henry’s boarding house in Le Pouldu, Brittany. The headland in this painting is at the western…
Gainsborough, Thomas (1727-1788) Portrait of Margaret Gainsborough holding a Theorbo c.1777 Oil on canvas, 90.2 × 69.9 cm National Gallery, London This unfinished portrait of Thomas Gainsborough’s youngest daughter, Margaret (1751–1820), playing a theorbo (a kind of lute) unites two particularly personal…
Gainsborough, Thomas (1727-1788) The Artist’s Daughter Margaret c.1772 Oil on canvas, 75.6 × 62.9 cm Tate Britain, London Gainsborough’s younger daughter, Margaret, was in her mid-twenties when her father painted this portrait. At the time she was still living with her elder…
Gainsborough, Thomas (1727-1788) The Artist’s Daughter Mary 1777 Oil on canvas, 77.5 × 64.8 cm Tate Britain, London On loan to Gainsborough’s House (Sudbury, UK). Gainsborough was very fond of his two daughters and painted them frequently from childhood into their late…
Gainsborough, Thomas (1727-1788) Pomeranian Bitch and Puppy c.1777 Oil on canvas, 83.2 × 111.8 cm Tate Britain, London The two dogs in this painting belonged to the musician Carl Friedrich Abel, the last of the great viola da gamba virtuosi. Abel was…
Gainsborough, Thomas (1727-1788) Tristram and Fox c.1775–1785 Oil on canvas, 61 × 50.8 cm Tate Britain, London Gainsborough had a countryman’s love of dogs and included them in numerous portraits and landscape paintings. He also painted a few works where dogs…