Daubigny, Charles-François (1817-1878) Bord de rivière (River Bank) 1866 Oil on panel, 26.5 x 46 cm Hermitage Museum, Saint Petersburg Daubigny was perhaps one of the most important artists of the Barbizon School, which took its name from the village of…
Corot, Jean-Baptiste-Camille (1796-1875) Les Rochers (Rocks) 1828 Oil on canvas, 39 x 57.2 cm Hermitage Museum, Saint Petersburg
Chagall, Marc (1887-1985) Printemps dans le pré (Spring in the Meadow) 1961 Chromolithography on paper, 42 x 64 cm Hermitage Museum, Saint Petersburg
Jordaens, Jacob (1593-1678) Allegorical Family Portrait early 1650s Oil on canvas, 178.4 x 152.3 cm Hermitage Museum, Saint Petersburg This group portrait is an allegorical depiction of a scene of betrothal or marriage. That is confirmed by the inclusion in the…
Toulouse-Lautrec, Henri de (1864-1901) Les Jockeys (The Jockeys) 1882 Oil on canvas, 64.5 x 45 cm Museo Thyssen-Bornemisza, Madrid ©Carmen Thyssen Collection «In our family,» Toulouse-Lautrec quipped, «once baptised, one is in the saddle.» Lautrec‘s father was a fanatical -and somewhat…
Bonnard, Pierre (1867-1947) Pont de la Concorde 1913–1915 Oil on canvas, 60 × 83.2 cm Tate Britain, London A view from the Pont de la Concorde in Paris, looking up the Seine towards the Ile de la Cité and Notre-Dame. The other…
Tiepolo, Giambattista (1696-1770) La morte di Giacinto (The Death of Hyacinthus) c.1752–1753 Oil on canvas, 287 x 232 cm Museo Thyssen-Bornemisza, Madrid This large canvas dates from the period when Tiepolo was working in Würzburg. It was first attributed to the…
Bonnard, Pierre (1867-1947) La Symphonie pastorale (The Pastoral Symphony) 1916–1920 Oil on canvas, 130 × 160 cm Musée d’Orsay, Paris
Géricault, Théodore (1791-1824) Course de chevaux (Horse Race) c.1817 Oil on paper mounted on canvas, 44 x 59 cm Museo Thyssen-Bornemisza, Madrid Théodore Géricault was from a wealthy Rouen family that moved to Paris in 1796 for professional reasons. Géricault was…
Géricault, Théodore (1791-1824) Le baiser (The Kiss) c.1816–1817 Charcoal, wash and gouache on brown paper, 20 x 27.4 cm Museo Thyssen-Bornemisza, Madrid Having failed to win the Academy prize that would finance a study trip to Italy, in 1816 Géricault decided…