Gérôme, Jean-Léon (1824-1904) Femme au balcon (Woman at a Balcony) 1887–1888 Oil on canvas, 50.2 × 41.6 cm Metropolitan Museum of Art, New York Seen from below as if from street level and posed seductively in a revealing costume, this woman is…
Gérôme, Jean-Léon (1824-1904) Étude des palmiers (Study of Palm Trees) probably 1868 Oil on canvas, laid down on board, 26.7 × 32.4 cm Metropolitan Museum of Art, New York This study is thought to have been painted in 1868, during Gérôme‘s third…
Gérôme, Jean-Léon (1824-1904) Pygmalion et Galatée (Pygmalion and Galatea) c.1890 Oil on canvas, 88.9 x 68.6 cm Metropolitan Museum of Art, New York Between 1890 and 1892, Gérôme made both painted and sculpted variations on the theme of Pygmalion and Galatea, the…
Gérôme, Jean-Léon (1824-1904) Prière à la mosquée (Prayer in the Mosque) 1871 Oil on canvas, 88.9 x 74.9 cm Metropolitan Museum of Art, New York Gérôme painted this scene, which depicts the interior of the seventh-century mosque of ‘Amr in Cairo, after…
Gérôme, Jean-Léon (1824-1904) Café Maison, Le Caire; la coulée balles (Cafe House, Cairo; Casting Bullets) 1884 or earlier Oil on canvas, 54.6 x 62.9 cm Metropolitan Museum of Art, New York While two mercenaries cast bullets and a third, seated behind them,…
Carriera, Rosalba (1675-1757) Ritratto d’uomo (Portrait of a Man) c.1710 Ivory, 76 x 59 mm Metropolitan Museum of Art, New York Carriera was known throughout Europe for her pastel portraits, but she also pioneered the use of ivory as a support…
Van Dyck, Anthony (1599-1641) Saint Rosalie Interceding for the Plague-stricken of Palermo 1624 Oil on canvas, 99.7 x 73.7 cm Metropolitan Museum of Art, New York Van Dyck was in Palermo, Sicily, when a plague broke out and the city was quarantined.…
Van Dyck, Anthony (1599-1641) Virgin and Child with Saint Catherine of Alexandria c.1630 Oil on canvas, 109.2 x 90.8 cm Metropolitan Museum of Art, New York The infant Jesus responds with playful enthusiasm to an adoring Saint Catherine, a princess identified by…
Van Dyck, Anthony (1599-1641) Self-Portrait c.1620–1621 Oil on canvas, 119.7 x 87.9 cm Metropolitan Museum of Art, New York Lifting a languid hand to his chin, the young Van Dyck presents himself as an aristocrat, excluding any signs of his trade…
Bosch, Hieronymus (c.1450-1516) The Adoration of the Magi c.1475 Oil and gold on oak, 71.1 x 56.5 cm Metropolitan Museum of Art, New York This tranquil scene, with its tunneling perspective and sensitively rendered faces, is characteristic of Bosch’s works before…