Bronzino (1503-1572) Cosimo de’ Medici in armatura (Cosimo de’ Medici in armour) c.1545 Oil on panel, 76.5 x 59 cm Museo Thyssen-Bornemisza, Madrid Bronzino’s portraits are undoubtedly among his most important works. His most significant examples date from the 1540s onwards, but…
Toulouse-Lautrec, Henri de (1864-1901) Moulin de la Galette 1889 Oil on canvas, 88.5 × 101.3 cm Art Institute of Chicago, Chicago With this painting of the dance hall known as the Moulin de la Galette, Henri de Toulouse-Lautrec established his reputation as…
Bonnard, Pierre (1867-1947) Autoportrait (Self-portrait) 1889 Tempera on canvas, 21.5 x 15.8 cm Private collection
Ensor, James (1860-1949) Ensor au chevalet (Ensor at his Easel) 1886? Oil on canvas, 58.5 × 40.5 cm Koninklijk Museum voor Schone Kunsten, Antwerp
Tiziano (c.1488-1576) Ritratto di un uomo in armatura (Portrait of a Man in Armour) c.1530 Oil on canvas, 85.2 x 68.3 cm Hammer Museum, Los Angeles
Rembrandt (1606-1669) Portrait of a Man Holding a Black Hat c.1637 Oil on panel, 79.5 x 69.4 cm Hammer Museum, Los Angeles
Sargent, John Singer (1856-1925) Dr. Pozzi at Home 1881 Oil on canvas, 201.6 x 102.2 cm Hammer Museum, Los Angeles Samuel-Jean Pozzi (1846–1918) was a pioneer in the field of modern gynecology in France; his practices advanced the reproductive safety and dignity…
Rembrandt (1606-1669) Head of a Young Man with Clasped Hands, Study of the Figure of the Christ c.1648–1652 Oil on oak panel, 25.5 x 20.1 cm Louvre, Abu Dhabi This work is part of the group of Figures of Christ, alongside six…
Renoir, Pierre-Auguste (1841-1919) Claude Monet lisant (Claude Monet reading) c.1873 Oil on canvas, 61.7 x 50 cm Musée Marmottan Monet, Paris Companion: Renoir, Auguste (1841-1919) Camille Monet c.1873 Musée Marmottan Monet, Paris Compare: Renoir, Auguste (1841-1919) Claude Monet, Le Liseur 1872 National Gallery…
Renoir, Pierre-Auguste (1841-1919) Monsieur Charpentier c.1879 Oil on canvas, 32.5 x 25 cm Barnes Foundation, Philadelphia Renoir‘s skill at rendering his subjects in a flattering light meant that his portraits were in high demand among Parisian bourgeois society. This small portrait likely…