Bronzino (1503-1572) Ritratto di un giovane come San Sebastiano (Portrait of a young Man as Saint Sebastian) c.1533 Oil on panel, 87 x 76.5 cm Museo Thyssen-Bornemisza, Madrid Agnolo di Cosimo di Mariano Tori, known as Bronzino, was one of the…
Bernini, Gian Lorenzo (1598-1680) San Sebastiano (Saint Sebastian) 1616–1617 Marble, 98 x 42 cm Museo Thyssen-Bornemisza, Madrid Private collection on deposit at the Museo Nacional Thyssen-Bornemisza. Saint Sebastian, born in Gaul according to legend, was a Roman centurion who was martyred…
Signorelli, Luca (c.1445-1523) San Girolamo in estasi (Saint Jerome in ecstasy) 4th quarter of the 15th century Tempera on gold background on canvas, 69 x 49 cm Musée du Louvre, Paris Attributed to Luca Signorelli. Christ on the cross and the…
Mantegna, Andrea (c.1431-1506) San Sebastiano (Saint Sebastian) 4th quarter of the 15th century Tempera on canvas, 255 x 140 cm Musée du Louvre, Paris Composition surrounded by a trompe-l’oeil porphyry border. Probably arrived in Aigueperse (Auvergne) on the occasion of the marriage…
Burne-Jones, Edward (1833-1898) Head of a young woman with downcast eyes 1872 Pencil on paper, 25.3 x 17.8 cm Musée du Louvre, Paris
Tiziano (c.1488-1576) La Bella (Portrait of a Lady) 1536–1538 Oil on canvas, 89 × 75.5 cm Galleria Palatina, Palazzo Pitti, Firenze The female portrait, known by its complimentary epithet “La Bella”, is one of the most famous paintings of the later years of…
Ingres, Jean Auguste Dominique (1780-1867) Persée et Andromède (Perseus and Andromeda) c.1819 Oil on canvas, 19.7 × 16.2 cm Detroit Institute of Arts, Detroit Ingres‘s vulnerable figure of Andromeda is the “classic” idealized figure study. The fact that she is being…
Gentileschi, Artemisia (1593-c.1653) Autoritratto come allegoria della Pittura (Self-portrait as the Allegory of Painting) 1638–1639 Oil on canvas, 98.6 x 75.2 cm Royal Collection, Buckingham Palace, London Artemisia Gentileschi was invited to London in 1638 by Charles I, and probably produced this…
Parmigianino (1503-1540) Cupido che fabbrica l’arco (Bowcarving Cupid) 1534–1539 Oil on lime, 135.5 × 65 cm Kunsthistorisches Museum, Vienna The inspiration for this painting may have come from a sculpture that Parmigianino may have seen in the Grimani Collection in Venice in…
Millais, John Everett (1829-1896) Ophelia 1851–1852 Oil on canvas, 76.2 x 111.8 cm Tate Britain, London The scene depicted is from Shakespeare‘s Hamlet, Act IV, Scene vii. See also: • Shakespeare, William (1564-1616) | Siddal, Elizabeth (1829-1862)