Tiepolo, Giambattista (1696-1770) La vergogna di Rinaldo davanti allo scudo magico (Rinaldo turning in Shame from the Magic Shield) c.1740–1746 Oil on canvas, 161.3 × 53.5 cm National Gallery, London This painting shows Rinaldo, a Christian knight who has been enchanted by…
Poussin, Nicolas (1594-1665) Le Triomphe de Silène (The Triumph of Silenus) c.1636 Oil on canvas, 142.9 × 120.5 cm National Gallery, London This playful scene celebrates Silenus, companion to Bacchus, the Roman god of wine and drunkenness. Silenus, a naked old…
Michelangelo (1475-1564) Deposizione di Cristo nel sepolcro (The Entombment, or Christ being carried to his Tomb) c.1500–1501 Oil on wood, 161.7 × 149.9 cm National Gallery, London This is one of perhaps only three surviving panel paintings by the great Florentine…
Botticini, Francesco (1446-1498) La crocifissione (The Crucifixion) c.1471 Tempera on wood, 28.5 × 35 cm National Gallery, London Christ is shown nailed to the Cross at his crucifixion, flanked by the two thieves who were crucified alongside him. His mother, the Virgin…
Picasso, Pablo (1881-1973) Femme nue dans un fauteuil rouge (Nude Woman in a Red Armchair) 1932 Oil on canvas, 129.9 × 97.2 cm Tate Britain, London Compare: Picasso, Pablo (1881-1973) Le fauteuil rouge 1931 Art Institute of Chicago, Chicago See also: • Walter,…
Valadon, Suzanne (1865-1938) Le bain (The Bath) 1905 Pastel on paper, 68.5 × 54.8 cm Art Institute of Chicago, Chicago While she received little formal artistic training, Suzanne Valadon had many opportunities to observe artists at work as she modelled for…
Tintoretto, Jacopo (1518-1594) Tarquinio e Lucrezia (Tarquin and Lucretia) 1578–1580 Oil on canvas, 175 × 151.5 cm Art Institute of Chicago, Chicago According to Roman history, the rape of the virtuous matron Lucretia by Tarquin, son of the king of Rome,…
Rodin, Auguste (1840-1917) Portrait de Balzac (Portrait of Balzac) modeled 1893 (cast 1926–1933) Bronze, 127.6 × 73.7 × 59.7 cm Art Institute of Chicago, Chicago In 1891 Auguste Rodin was commissioned by a literary society to produce a posthumous monument to…