Parmigianino (1503-1540) Matrimonio mistico di santa Caterina (Mystic Marriage of Saint Catherine) c.1527–1531 Oil on wood, 74.2 x 57.2 cm National Gallery, London The infant Christ turns to look back at his mother as he places a ring on Saint Catherine’s finger.…
Parmigianino (1503-1540) Lucrezia (Lucretia) c.1539 Watercolor over black chalk, 29.8 x 20.9 cm National Gallery of Art, Washington
Parmigianino (1503-1540) Lucrezia Romana (Roman Lucretia) 1540 Oil on panel, 68 × 52 cm Museo di Capodimonte, Napoli
Carracci, Annibale (1560-1609) Agonia nell’orto (The Agony in the Garden) c.1596–1597 Oil on panel, 39.1 x 30.3 cm Royal Collection, Windsor Castle Against a dark background the figure of Christ kneels, his head turned right towards the figure of an angel in…
Carracci, Annibale (1560-1609) Sileno che raccoglie l’uva (Silenus gathering Grapes) 1597–1600 Oil and egg on wood, 54.5 x 88.5 cm National Gallery, London Using an animal skin, two laughing satyrs with pointed ears and short tails – although without the usual hairy…
Carracci, Annibale (1560-1609) Giovane Satiro che raccoglie l’uva (Young Satyr gathering Grapes) 1597–1600 Oil and egg on wood, 54.5 x 88.5 cm National Gallery, London A naked young satyr, just like a little boy but with pointed ears and a curly tail,…
Carracci, Annibale (1560-1609) Pietà con le tre Marie (The Dead Christ Mourned, The Three Maries) c.1604 Oil on canvas, 92.8 x 103.2 cm National Gallery, London This is perhaps the most poignant image in the National Gallery’s collection of the pietà…
Carracci, Annibale (1560-1609) Crocifissione (The Crucifixion) c.1587–1588 Oil on canvas laid on panel, 81.5 × 61.5 cm Yale University Art Gallery, New Haven
Carracci, Annibale (1560-1609) L’estasi di Maria Maddalena (The Ecstasy of Mary Magdalene) 1585–1600 Oil on panel, 37.5 x 29.5 cm Museo del Prado, Madrid According to the Golden Legend, after the death of Christ his follower Mary Magdalene moved to the…
Rubens, Peter Paul (1577-1640) Hélène Fourment (“The Furry”) c.1636–1638 Oil on oak, 178.7 × 86.2 × 2.5 cm Kunsthistorisches Museum, Vienna The posture of Rubens‘ second wife Helena Fourment (1614-1674, married in 1630) is reminiscent of the type of the ancient…