Caravaggio (1571-1610) Ecce Homo c.1605 Oil on canvas, 128 x 103 cm Palazzo Bianco, Genova The canvas, the origin of which is still unclear, was recorded in the inventory of Palazzo Bianco in 1921 as being a copy by Lionello Spada of…
Caravaggio (1571-1610) Crocifissione di Sant’Andrea (The Crucifixion of Saint Andrew) 1606–1607 Oil on canvas, 202.5 x 152.7 cm Cleveland Museum of Art, Cleveland Although Saint Andrew is typically associated with an X-shaped cross, here he is depicted on a standard vertical cross.…
Caravaggio (1571-1610) David con la testa di Golia (David with the Head of Goliath) c.1600–1601 Oil on poplar, 91.2 x 138.5 x 2.5 cm Kunsthistorisches Museum, Vienna Caravaggio succinctly summarizes the biblical story of David’s victorious battle against the giant Philistine general…
Caravaggio (1571-1610) Incoronazione di spine (Crowning of Thorns) c.1603 Oil on canvas, 127 x 165.5 cm Kunsthistorisches Museum, Vienna After interrogation by Pontius Pilate, Christ is made to wear a crown of thorns by the soldiers. He is thus mocked as King…
Caravaggio (1571-1610) Amorino dormiente (Sleeping Cupid) 1608 Oil on canvas, 72 x 105 cm Galleria Palatina, Firenze In classical antiquity Cupid, the god of love, was always depicted as a young boy armed with bow and arrows. Such images were known as…
Caravaggio (1571-1610) San Giovanni Battista (St John the Baptist) 1609–1610 Oil on canvas, 152 x 125 cm Galleria Borghese, Roma The painting was one of the group of paintings that the artist took with him on the return journey by sea from…
Caravaggio (1571-1610) David con la testa di Golia (David with the Head of Goliath) 1606–1607 or 1609–1610 Oil on canvas, 125 x 101 cm Galleria Borghese, Roma This painting was executed in Naples, where Caravaggio was in exile, following his flight from…
Caravaggio (1571-1610) Incredulità di San Tommaso (The Incredulity of Saint Thomas) c.1601 Oil on canvas, 107 x 146 cm Bildergalerie Sanssouci, Potsdam
Caravaggio (1571-1610) Amor Vincit Omnia (Love Conquers All / Cupid as Victor) 1601–1602 Oil on canvas, 156.5 x 113.3 cm Gemäldegalerie, Berlin Around 1592/93, Caravaggio came to Rome from Lombardy, bringing with him formative impressions of the works of Savoldo, Lotto, Romanino…