Munch, Edvard (1863-1944) The Sin (Woman with Red Hair and Green Eyes) 1901 Color lithograph, 69.8 x 40.2 cm Cleveland Museum of Art, Cleveland The fatal women and embracing couples in Picasso’s art of the early 1900s exhibit striking affinities with…
Ingres, Jean Auguste Dominique (1780-1867) Persée et Andromède (Perseus and Andromeda) c.1819 Oil on canvas, 19.7 × 16.2 cm Detroit Institute of Arts, Detroit Ingres‘s vulnerable figure of Andromeda is the “classic” idealized figure study. The fact that she is being…
Rubens, Peter Paul (1577-1640) The Four Rivers of Paradise c.1615 Oil on canvas, 208 × 283 cm Kunsthistorisches Museum, Vienna According to the conventional interpretation, the four continents are depicted here as female allegoric figures paired with the gods of their…
Gentileschi, Orazio (1563-1639) Danae e la pioggia d’oro (Danae and the Shower of Gold) 1621–1623 Oil on canvas, 161.5 × 227.1 cm Getty Center, Los Angeles This painting is part of a series of works executed by Gentileschi in 1622 for…
Gentileschi, Orazio (1563-1639) Danae c.1623 Oil on canvas, 162 x 228.5 cm Cleveland Museum of Art, Cleveland The gauzy scarf draped over Danaë was a studio prop present in many of Orazio‘s paintings. Danaë’s father feared a prophecy that his grandson…
David, Jacques-Louis (1748-1825) Cupidon et Psyché (Cupid and Psyche) 1817 Oil on canvas, 184.2 x 241.6 cm Cleveland Museum of Art, Cleveland Jacques-Louis David included two butterflies in this painting: one above the slumbering Psyche and the other on the base…
Rembrandt (1606-1669) Jupiter and Antiope 1659 Etching, 13.9 x 20.1 cm Rijksmuseum, Amsterdam Rembrandt depicts the slumbering Antiope so convincingly that it seems he is drawing a model actually sleeping soundly. She lies in a totally relaxed pose, her lips parted and her…
Moore, Henry (1898-1986) Girl 1931 Ancaster stone, 86.5 x 60 x 43.3 cm (including base and wooden board) Tate Britain, London From the mid-1920s Moore had advocated the abolition of the ‘Greek ideal’ in sculpture in favour of non-European sources, which…
Guercino (1591-1666) Venere, Marte e Amore (Venus, Mars and Cupid) 1633 Oil on canvas, 139 x 161 cm Galleria Estense, Modena Following the indication of Venus, whose right hand is painted almost in a trompe l’oeil, Cupid is about to…
Legros, Alphonse (1837-1911) Cupidon et Psyché (Cupid and Psyche) exhibited 1867 Oil on canvas, 116.8 × 141.4 cm Tate Britain, London The tale of Cupid and Psyche was written by the Roman poet Lucius Apuleius. Psyche was given a box, supposedly…