Piero della Francesca (c.1416-1492) Ritratto di ragazzo (Portrait of a Boy, Guidobaldo Da Montefeltro?) c.1483 Tempera on panel, 41 x 27.5 cm Museo Thyssen-Bornemisza, Madrid According to James Dennistoun, this small portrait on panel was in the collection of Giuseppe Crosti,…
Van Gogh, Vincent (1853-1890) Vignobles à Auvers (Vineyards at Auvers) 1890 Oil on canvas, 65.1 x 80.3 cm Saint Louis Art Museum, St. Louis See also: • Auvers-sur-Oise (France)
Tiziano (c.1488-1576) San Girolamo penitente (The Penitent Saint Jerome) c.1575 Oil on canvas, 137 x 97 cm Museo Thyssen-Bornemisza, Madrid The Penitent Saint Jerome is dated to the final period of Titian’s career. During these years Titian continued to paint masterpieces,…
Lotto, Lorenzo (1480-1557) Gesù che porta la croce (The Carrying of the Cross) 1526 Oil on canvas, 66 x 98 cm Musée du Louvre, Paris
Severini, Gino (1883-1966) Metropolitana di Parigi, ruota panoramica e Torre Eiffel (Paris Subway, Ferris Wheel and Eiffel Tower) c.1912–1913 Pastel and charcoal, 59.6 x 48.2 cm Cleveland Museum of Art, Cleveland Gino Severini joined the Futurist movement, which emphasized the dynamism,…
Reynolds, Joshua (1723-1792) Self-Portrait c.1775 Oil on canvas, 73.7 x 61 cm Tate Britain, London This is one of Reynolds‘s most explicit attempts to rival Rembrandt as a self-portraitist. By the time he painted this work, he was the most famous…
Bernard, Émile (1868-1941) Autoportrait au tableau “Baigneuses à la vache rouge” (Self-portrait with the picture “Bathers with a red cow”) c.1889 Oil on canvas, 54.2 x 44.8 cm Musée d’Orsay, Paris Compare: Bernard, Émile (1868-1941) Baigneuses à la vache rouge 1887…
Bernard, Émile (1868-1941) Baigneuses à la vache rouge (Bathers with a red cow) 1887 Oil on canvas, 92 x 73 cm Musée d’Orsay, Paris Fragment cut from a large composition, probably painted in 1889, the side parts of which are in…
Redon, Odilon (1840-1916) Apparition 1905–1910 Oil on canvas, 65 x 50 cm Princeton University Art Museum, Princeton During the 1890s, Redon shifted his attention from charcoal drawing and lithography to a practice that embraced color, working in pastels and oil paints.…
Scott, William Bell (1811-1890) Fair Rosamund in her Bower after 1854 Oil on canvas, 60.3 x 49.5 cm Private collection Comentary by Rupert Maas: Scott first painted the subject of Rosamund in 1854, for exhibition in the Royal Scottish Academy. This…