Rembrandt (1606-1669) Self-Portrait at an Easel 1660 Oil on canvas, 111 x 85 cm Musée du Louvre, Paris One of Rembrandt‘s large self-portraits with those of Vienna (1652), the Frick Collection in New York (1658) and Kenwood (c.1665–1669), all late…
Rembrandt (1606-1669) Landscape with a Castle c.1640–1642 Oil on panel, 44 x 60 cm Musée du Louvre, Paris Painting visibly left in a certain state of incompleteness (the sky by contrast was painted first and is colored and finished): Rembrandt…
Rembrandt (1606-1669) The Holy Family with St Anne 1640 Oil on panel, 41 x 34 cm Musée du Louvre, Paris The Christian meaning of the painting has often been obliterated in favor of a purely secular interpretation: for example at…
Rembrandt (1606-1669) The Archangel Raphael Leaving Tobias’ Family 1637 Oil on panel, 66 x 52 cm Musée du Louvre, Paris Tobit, Tobit’s old father, having regained his sight through the medication of the archangel Raphael, gives thanks to God with…
Rembrandt (1606-1669) Bathsheba at Her Bath 1654 Oil on canvas, 142 x 142 cm Musée du Louvre, Paris Subject taken from the Bible (II Book of Samuel, the importance of the letter delivered to Bathsheba, the strong point of an…
Rembrandt (1606-1669) Saint Matthew and the Angel 1661 Oil on canvas, 96 x 81 cm Musée du Louvre, Paris It is not certain, as Valentiner proposed, that the painting was part of a series of apostles or evangelists comparable to…
Rembrandt (1606-1669) Titus, the Artist’s Son 1660 Oil on canvas, 81.3 x 68.7 cm Baltimore Museum of Art, Baltimore See also: • Rijn, Titus van (1641-1668)
Rembrandt (1606-1669) Titus at His Desk 1655 Oil on canvas, 77 x 63 cm Museum Boijmans Van Beuningen, Rotterdam See also: • Rijn, Titus van (1641-1668)
Rembrandt (1606-1669) Portrait of a Boy c.1655–1660 Oil on canvas, 64.8 x 55.9 cm Norton Simon Museum, Pasadena See also: • Rijn, Titus van (1641-1668)