Seurat, Georges (1859-1891) Fort Samson, Grandcamp 1885 Oil on canvas, 65 x 81.5 cm Hermitage Museum, Saint Petersburg See also: • Grandcamp-Maisy (France) | Normandie
Guardi, Francesco (1712-1793) Veduta dell’Isola di San Giorgio Maggiore (View of the Island of San Giorgio Maggiore) 1765–1775 Oil on canvas, 43 x 61 cm Hermitage Museum, Saint Petersburg Master of the townscape -known as vedute in Italian- Guardi painted many…
Signac, Paul (1863-1935) St. Tropez (The Port of St. Tropez) 1894 Color lithograph Cleveland Museum of Art, Cleveland See also: • Saint-Tropez (France)
Gauguin, Paul (1848-1903) Moisson, Le Pouldu (Harvest: Le Pouldu) 1890 Oil on canvas, 73 × 92.1 cm Tate Britain, London In 1890 Gauguin was staying at Marie Henry’s boarding house in Le Pouldu, Brittany. The headland in this painting is at the western…
Dalí, Salvador (1904-1989) La Découverte des Amériques par Christophe Colomb (The Discovery of America by Christopher Columbus) 1958–1959 Oil on canvas, 410 x 284 cm Salvador Dalí Museum, St. Petersburg This work is an ambitious homage to Dalí’s Spain. It combines…
Hunt, William Holman (1827-1910) The golden prime of good Haroun Alraschid 1863 Watercolour on vellum, 10.2 x 12.7 cm National Museum Wales, Cardiff See also: • Tennyson, Alfred (1809-1892)
Turner, Joseph Mallord William (1775-1851) The Campo Santo, Venice 1842 Oil on canvas, 62.2 x 92.7 cm Toledo Museum of Art, Toledo Venice is radiant, if somewhat shabby, in Joseph Mallord William Turner’s view north across the Venetian Lagoon. The city…
Boudin, Eugène (1824-1898) Le Havre c.1883–1887 Oil on wood panel, 27.1 x 21 cm Princeton University Art Museum, Princeton See also: • Le Havre (France)
Homer, Winslow (1836-1910) Dad’s Coming! 1873 Oil on wood, 22.9 x 34.9 cm National Gallery of Art, Washington A woman holding a baby stands near a young boy who perches in the tipped-up end of a rowboat that has been pulled…
Turner, Joseph Mallord William (1775-1851) The Storm 1840–1845 Oil on canvas, 54.6 × 77 × 7.4 cm Princeton University Art Museum, Princeton This seascape of 1840–45 and its companion picture, ‘The morning after the storm’, were apparently inspired by the great storm of 21…