Tag: shoe

Les deux confrères, Avocats (1865-1870)

Daumier, Honoré (1808-1879) Les deux confrères, Avocats (The Two Colleagues, Lawyers) 1865–1870 Watercolor on paper, 25.4 × 19.8 cm Brooklyn Museum, New York The approximately four thousand lithographic caricatures that Honoré Daumier produced were widely circulated in nineteenth-century Paris, where they…

Jane Avril dansant (c.1892)

Toulouse-Lautrec, Henri de (1864-1901) Jane Avril dansant (Jane Avril Dancing) c.1892 Oil on cardboard, 85.5 x 45 cm Musée d’Orsay, Paris See also: • Avril, Jane (1868-1943)

Jane Avril quittant le Moulin Rouge (1893)

Toulouse-Lautrec, Henri de (1864-1901) Jane Avril quittant le Moulin Rouge (Jane Avril leaving the Moulin Rouge) 1893 Essence on board, 85.7 x 69.9 cm Wadsworth Atheneum, Hartford Henri de Toulouse-Lautrec was fascinated with a rapidly changing Paris as well as those…

Francisco Cabarrús (1788)

Goya, Francisco (1746-1828) Francisco Cabarrús 1788 Oil on canvas, 210 x 127 cm Banco de España, Madrid See also: • Cabarrús, François (1752-1810)

La Famille de l’artiste (1896)

Renoir, Pierre-Auguste (1841-1919) La Famille de l’artiste (The Artist’s Family) 1896 Oil on canvas, 173 x 137.2 cm Barnes Foundation, Philadelphia Renoir presents his family in the garden of their residence in Paris. At center Renoir‘s wife, Aline Charigot Renoir, wears…

I am half sick of shadows (1915)

Waterhouse, John William (1849-1917) ‘I am half sick of shadows,’ said The Lady of Shalott (Alfred, Lord Tennyson, The Lady of Shalott, Part II) 1915 Oil on canvas, 100.3 x 73.7 cm Art Gallery of Ontario, Toronto See also: • Tennyson, Alfred (1809-1892)

La Sortie du conservatoire (1876-1877)

Renoir, Pierre-Auguste (1841-1919) La Sortie du conservatoire (Leaving the Conservatory) 1876–1877 Oil on canvas, 187.5 x 117.5 cm Barnes Foundation, Philadelphia Renoir uses subtle body language to convey the flirtatious exchanges among a group of young Parisians gathered outside a music…