Matisse, Henri (1869-1954) Femme au violon (Woman with Violin) 1921–1922 Oil on canvas, 55 x 46 cm Musée de l’Orangerie, Paris
Femme au violon (1921-1922)
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Jane Avril dansant (c.1892)
Toulouse-Lautrec, Henri de (1864-1901) Jane Avril dansant (Jane Avril Dancing) c.1892 Oil on cardboard, 85.5 x 45 cm Musée d’Orsay, Paris See also: • Avril, Jane (1868-1943)
Jane Avril quittant le Moulin Rouge (1893)
Toulouse-Lautrec, Henri de (1864-1901) Jane Avril quittant le Moulin Rouge (Jane Avril leaving the Moulin Rouge) 1893 Essence on board, 85.7 x 69.9 cm Wadsworth Atheneum, Hartford Henri de Toulouse-Lautrec was fascinated with a rapidly changing Paris as well as those…
Francisco Cabarrús (1788)
Goya, Francisco (1746-1828) Francisco Cabarrús 1788 Oil on canvas, 210 x 127 cm Banco de España, Madrid See also: • Cabarrús, François (1752-1810)
Vocazione di San Matteo (1599-1600)
Caravaggio (1571-1610) Vocazione di San Matteo (The Calling of St Matthew) 1599–1600 Oil on canvas 322 x 340 cm Cappella Contarelli, San Luigi dei Francesi, Roma
La Famille de l’artiste (1896)
Renoir, Pierre-Auguste (1841-1919) La Famille de l’artiste (The Artist’s Family) 1896 Oil on canvas, 173 x 137.2 cm Barnes Foundation, Philadelphia Renoir presents his family in the garden of their residence in Paris. At center Renoir‘s wife, Aline Charigot Renoir, wears…
A woman with a spade, seen from behind (1885)
Van Gogh, Vincent (1853-1890) A woman with a spade, seen from behind 1885 Oil on canvas on wood panel, 41.7 x 32.3 cm Art Gallery of Ontario, Toronto
I am half sick of shadows (1915)
Waterhouse, John William (1849-1917) ‘I am half sick of shadows,’ said The Lady of Shalott (Alfred, Lord Tennyson, The Lady of Shalott, Part II) 1915 Oil on canvas, 100.3 x 73.7 cm Art Gallery of Ontario, Toronto See also: • Tennyson, Alfred (1809-1892)
La Sortie du conservatoire (1876-1877)
Renoir, Pierre-Auguste (1841-1919) La Sortie du conservatoire (Leaving the Conservatory) 1876–1877 Oil on canvas, 187.5 x 117.5 cm Barnes Foundation, Philadelphia Renoir uses subtle body language to convey the flirtatious exchanges among a group of young Parisians gathered outside a music…
La Femme aux bas blancs (1864)
Courbet, Gustave (1819-1877) La Femme aux bas blancs (Woman with White Stockings) 1864 Oil on canvas, 65 x 81 cm Barnes Foundation, Philadelphia Traditionally, European painters made the nude subject decorous by presenting it as part of an edifying mythological narrative.…