Tag: signature

Lucretia (1664)

Rembrandt (1606-1669) Lucretia 1664 Oil on canvas, 120 x 101 cm National Gallery of Art, Washington After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with Pieter Lastman (1583–1633), a…

A Woman Holding a Pink (1656)

Rembrandt (1606-1669) A Woman Holding a Pink 1656 Oil on canvas, 103 x 86 cm National Gallery of Art, Washington After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to…

Philemon and Baucis (1658)

Rembrandt (1606-1669) Philemon and Baucis 1658 Oil on panel transferred to panel, 54.5 x 68.5 cm National Gallery of Art, Washington After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with…

The Apostle Paul (c.1657)

Rembrandt and Workshop? (1606-1669) The Apostle Paul c.1657 Oil on canvas, 131.5 x 104.4 cm National Gallery of Art, Washington After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with…

Holy Family (1645)

Rembrandt (1606-1669) Holy Family 1645 Oil on canvas, 117 x 91 cm Hermitage Museum, Saint Petersburg One of the key subjects for Rembrandt was the Holy Family that perhaps for him embodied the lost dream of a happy home life. In…

David and Jonathan (1642)

Rembrandt (1606-1669) David and Jonathan 1642 Oil on panel, 73 x 61.5 cm Hermitage Museum, Saint Petersburg After his wife’s death Rembrandt continued for a time to live in a grand style, assembling a collection of antiques in his Amsterdam home.…

Portrait of a Man (1632)

Rembrandt (1606-1669) Portrait of a Man 1632 Oil on wood, 75.6 x 52.1 cm Metropolitan Museum of Art, New York Painted just after Rembrandt’s arrival in Amsterdam, this well-preserved portrait reveals the talent that enabled the young artist to quickly make…

Man in Oriental Costume (1632)

Rembrandt (1606-1669) Man in Oriental Costume (‘The Noble Slav’) 1632 Oil on canvas, 152.7 x 111.1 cm Metropolitan Museum of Art, New York Compared with Rembrandt‘s formal portraits of the same year, this picture is remarkable for its brilliant brushwork and…