Tag: signature

Portrait of Aechje Claesdr (1634)

Rembrandt (1606-1669) Portrait of Aechje Claesdr 1634 Oil on oak, 71.1 x 55.9 cm National Gallery, London The optical illusion created by this painting, is a powerful one. Rembrandt has used contrasts between light and dark – for example, the…

Portrait of Hendrickje Stoffels (c.1654)

Rembrandt (1606-1669) Portrait of Hendrickje Stoffels c.1654 Oil on canvas, 74 x 61 cm Musée du Louvre, Paris Since 1883 (Bode), the model has passed convincingly to be Hendrickje Stofetls, the painter’s partner after Saskia‘s death in 1642. Typical Neo-Vetanian…

The Supper at Emmaus (1648)

Rembrandt (1606-1669) The Supper at Emmaus 1648 Oil on mahogany, 68 x 65 cm Musée du Louvre, Paris Scene taken from the Gospel of Saint Luke (XXIV, 13-33), in which Christ, the day after his resurrection, reveals his divinity to…

A Slaughtered Ox (1655)

Rembrandt (1606-1669) A Slaughtered Ox 1655 Oil on panel, 94 x 69 cm Musée du Louvre, Paris Painting of exceptional success in the work of the master, especially since other representations of this type, known under the name of Rembrandt,…

Self-portrait, bare head (1633)

Rembrandt (1606-1669) Self-portrait, bare head 1633 Oil on panel, 60 x 47 cm Musée du Louvre, Paris The gorget, quite common in Rembrandt‘s self-portraits, worn by the artist under his clothing, contributes to his taste for disguises (here as a…

The Holy Family with St Anne (1640)

Rembrandt (1606-1669) The Holy Family with St Anne 1640 Oil on panel, 41 x 34 cm Musée du Louvre, Paris The Christian meaning of the painting has often been obliterated in favor of a purely secular interpretation: for example at…

Bathsheba at Her Bath (1654)

Rembrandt (1606-1669) Bathsheba at Her Bath 1654 Oil on canvas, 142 x 142 cm Musée du Louvre, Paris Subject taken from the Bible (II Book of Samuel, the importance of the letter delivered to Bathsheba, the strong point of an…

Saint Matthew and the Angel (1661)

Rembrandt (1606-1669) Saint Matthew and the Angel 1661 Oil on canvas, 96 x 81 cm Musée du Louvre, Paris It is not certain, as Valentiner proposed, that the painting was part of a series of apostles or evangelists comparable to…

Titus at His Desk (1655)

Rembrandt (1606-1669) Titus at His Desk 1655 Oil on canvas, 77 x 63 cm Museum Boijmans Van Beuningen, Rotterdam It is possible that this is a portrait of Rembrandt‘s son Titus around the age of fourteen. Slumped over his papers,…