Tag: standing

Allegoria dell’Abbondanza (c.1480-1485)

Botticelli, Sandro (c.1445-1510) Allegoria dell’Abbondanza (Allegory of Abundance) c.1480–1485 Pen and brown ink, with brown wash, on paper, 31.7 x 25.2 cm British Museum, London Abundance or Autumn; female figure wearing classical dress, holding the hand of a putto who holds…

Le clown musical (1868)

Renoir, Pierre-Auguste (1841-1919) Le clown musical (The Clown) 1868 Oil on canvas, 193.5 x 130 cm Kröller-Müller Museum, Otterlo Commission Auguste Renoir made this large painting on commission for the owner of the café of Cirque d’Hiver, the winter circus in Paris.…

Portrait of Theodore Duret (1883)

Whistler, James Abbott McNeill (1834-1903) Portrait of Theodore Duret (Arrangement in Flesh Colour and Black) 1883 Oil on canvas, 193.4 x 90.8 cm Metropolitan Museum of Art, New York Theodore Duret (1838–1927), heir to a firm of Cognac dealers, was a…

Camille (1866)

Monet, Claude (1840-1926) Camille 1866 Oil on canvas, 231 x 151 cm Kunsthalle Bremen, Bremen See also: • Doncieux, Camille (1847-1879)

Innocence (1898)

Bouguereau, William-Adolphe (1825-1905) Innocence 1898 Oil on canvas, 93.3 x 58 cm Manchester Art Gallery, Manchester

La Proposition embarrassante (1715-1716)

Watteau, Antoine (1684-1721) La Proposition embarrassante (Embarrasing Proposal) 1715–1716 Oil on canvas, 65 × 84.5 cm Hermitage Museum, Saint Petersburg Watteau was the first 18th-century French artist to create something totally new in his work, something previously unknown, in despite of the…

Le Savoyard et la Marmotte (1716)

Watteau, Antoine (1684-1721) Le Savoyard et la Marmotte (Savoyard with a Marmot) 1716 Oil on canvas, 40.5 × 32.5 cm Hermitage Museum, Saint Petersburg Antoine Watteau was one of the most brilliant artists of the early 18th century. His work gave rise…