Memling, Hans (c.1430-1494) Saint John the Baptist 1462 Oil on wood, 48 x 16 cm Musée du Louvre, Paris Triptych Central panel: Memling, Hans (c.1430-1494) The Flight into Egypt 1462 Musée du Louvre, Paris Right panel: Memling, Hans (c.1430-1494) Saint Mary Magdalene 1462…
Memling, Hans (c.1430-1494) The Flight into Egypt 1462 Oil on wood, 47 x 26 cm Musée du Louvre, Paris Triptych Left panel: Memling, Hans (c.1430-1494) Saint John the Baptist 1462 Musée du Louvre, Paris Right panel: Memling, Hans (c.1430-1494) Saint…
Lorenzo di Credi (c.1459-1537) Madonna col Bambino, San Giuliano e San Nicola (Madonna and Child surrounded by Saint Julian and Saint Nicolas of Myra) 1494 Oil on wood, 163 x 164 cm Musée du Louvre, Paris In place (cited by Vasari…
Bellini, Gentile (c.1429-1507) Un orientale in piedi (A standing Oriental, three-quarters to the left, wearing a turban) s.d. Pen and brown ink, 20.7 x 11.4 cm Musée du Louvre, Paris
Géricault, Théodore (1791-1824) Diane (Diana) Early 19th century Wash, pen on paper, 17.3 x 12 cm Museo del Prado, Madrid The composition is almost identical, with the same dimensions, to a Venus disarming Cupid (New York, Sotheby’s, January 28, 2015, n.…
Tiziano (c.1488-1576) La Bella (Portrait of a Lady) 1536–1538 Oil on canvas, 89 × 75.5 cm Galleria Palatina, Palazzo Pitti, Firenze The female portrait, known by its complimentary epithet “La Bella”, is one of the most famous paintings of the later years of…
Velázquez, Diego (1599-1660) Retrato del bufón Calabazas (Portrait of the Jester Calabazas) c.1631–1632 Oil on canvas, 175 x 106 cm Cleveland Museum of Art, Cleveland Calabazas, a jester in the court of King Philip IV of Spain, had physical and mental…
Van Dyck, Anthony (1599-1641) A Genoese Lady with Her Child c.1623–1625 Oil on canvas, 217.8 x 146 cm Cleveland Museum of Art, Cleveland This portrait was a departure from the painting style popular at this time, focusing less on a demonstrative…
Perugino (c.1446-1523) San Sebastiano (Saint Sebastian) c.1493 Metalpoint, 25.6 x 14.6 cm Cleveland Museum of Art, Cleveland The Florentine painter Perugino made drawings to record figural types and poses that could be repeated throughout his finished paintings. He used the elegant,…
Parmigianino (1503-1540) Cupido che fabbrica l’arco (Bowcarving Cupid) 1534–1539 Oil on lime, 135.5 × 65 cm Kunsthistorisches Museum, Vienna The inspiration for this painting may have come from a sculpture that Parmigianino may have seen in the Grimani Collection in Venice in…