Carpaccio, Vittore (c.1460-c.1526) Apoteosi di sant’Orsola e delle sue compagne (Apotheosis of Saint Ursula and her companions) 1491 Oil on canvas, 481 x 335 cm Gallerie dell’Accademia, Venezia This is the nineth of nine paintings in the cycle of the Legend of…
Carpaccio, Vittore (c.1460-c.1526) Sogno di Sant’Orsola (The Dream of Saint Ursula) c.1495 Oil on canvas, 273 x 567 cm Gallerie dell’Accademia, Venezia This is the fifth of nine paintings in the cycle of the Legend of St. Ursula (Storie di sant’Orsola).…
Tiziano (c.1488-1576) Pietà 1575–1576 Oil on canvas, 353 x 347 cm Gallerie dell’Accademia, Venezia Detail with Titian’s self-portrait as an old man kneeling before Christ.
Tiziano (c.1488-1576) L’arcangelo Raffaele e Tobiolo (The Archangel Raphael and Tobias) 1510s Oil on panel, 170 x 149 cm Gallerie dell’Accademia, Venezia
Tiziano (c.1488-1576) Adorazione di Gesù Bambino (Adoration of the Christ Child) c.1506 Oil on canvas, 46 x 39 cm Hermitage Museum, Saint Petersburg
Tiziano (c.1488-1576) Venere allo specchio (Venus with a Mirror) c.1555 Oil on canvas, 124.5 x 105.5 cm National Gallery of Art, Washington Titian’s goddess of love and beauty conjures the sense of touch. Observing her flushed cheek, one can almost feel its…
Tiziano (c.1488-1576) Venere allo specchio (Venus with a Mirror) c.1555 Oil on canvas, 116.5 x 101 cm Alte Pinakothek, Munich Compare: Tiziano (c.1488-1576) Venere allo specchio c.1555 National Gallery of Art, Washington
Van Dyck, Anthony (1599-1641) Saint Rosalie Interceding for the Plague-stricken of Palermo 1624 Oil on canvas, 99.7 x 73.7 cm Metropolitan Museum of Art, New York Van Dyck was in Palermo, Sicily, when a plague broke out and the city was quarantined.…
Bosch, Hieronymus (c.1450-1516) Death and the Miser c.1485–1490 Oil on panel, 93 x 31 cm National Gallery of Art, Washington A naked man with ghostly white skin sits upright in a canopied bed set in a narrow room in this tall,…
Bosch, Hieronymus (c.1450-1516) The Adoration of the Magi c.1475 Oil and gold on oak, 71.1 x 56.5 cm Metropolitan Museum of Art, New York This tranquil scene, with its tunneling perspective and sensitively rendered faces, is characteristic of Bosch’s works before…