Velázquez, Diego (1599-1660) Almuerzo de campesinos (The Farmers’ Lunch, Tavern Scene with Two Men and a Girl) c.1618–1619 Oil on canvas, 96 × 112 cm Museum of Fine Arts, Budapest
Van der Heyden, Jan (1637-1712) View of the Westerkerk, Amsterdam probably 1660 Oil on oak, 90.7 x 114.5 cm National Gallery, London This is one of the ultimate seventeenth-century examples of what today we might think of as a high-resolution image.…
Géricault, Théodore (1791-1824) Amazone (Horsewoman) 1820 or later Oil on canvas, 44.5 x 34.9 cm Metropolitan Museum of Art, New York Géricault studied horses extensively throughout his life, and his stay in England in 1820–21 inspired a group of works representing elegant…
Campin, Robert (c.1378-1444) A Woman c.1435 Oil with egg tempera on oak, 40.6 x 28.1 cm National Gallery, London This striking portrait of a woman forms a pair with Campin’s portrait A Man: the sitters were clearly married. We don’t know…
Gérôme, Jean-Léon (1824-1904) Phryné devant l’aréopage (Phryné before the Areopagus) 1861 Oil on canvas, 80 x 128 cm Hamburger Kunsthalle, Hamburg Compare: Nadar (1820-1910) Femme nue debout 1860–1861 Metropolitan Museum of Art, New York Famed for his portraits of writers, artists, and…
Nadar (1820-1910) Femme nue debout (Standing Female Nude) 1860–1861 Salted paper print from glass negative, 20.2 x 13.3 cm Metropolitan Museum of Art, New York Famed for his portraits of writers, artists, and left-wing politicians, Nadar is known to have photographed only…
Gérôme, Jean-Léon (1824-1904) Femme au balcon (Woman at a Balcony) 1887–1888 Oil on canvas, 50.2 × 41.6 cm Metropolitan Museum of Art, New York Seen from below as if from street level and posed seductively in a revealing costume, this woman is…
Gérôme, Jean-Léon (1824-1904) Pygmalion et Galatée (Pygmalion and Galatea) c.1890 Oil on canvas, 88.9 x 68.6 cm Metropolitan Museum of Art, New York Between 1890 and 1892, Gérôme made both painted and sculpted variations on the theme of Pygmalion and Galatea, the…