The White Symphony: Three Girls (c.1868)

Whistler, James Abbott McNeill (1834-1903)

The White Symphony: Three Girls
Oil on millboard mounted on wood panel, 46.4 x 61.6 cm
Smithsonian American Art MuseumWashington

Smithsonian’s Freer Gallery of Art, Washington, D.C. Gift of Charles Lang Freer, F1902.138.

This work is a study for a never-completed painting called The Three Girls that was intended to hang opposite The Princess from the Land of Porcelain in the Peacock Room, which was originally a dining room in the home of Whistler’s patron, Frederick Richards Leyland. Whistler envisioned the painting as the fourth of his “White Symphonies.” It was undertaken when he was exploring a range of artistic sources and seeking a distinctive signature style. By borrowing freely from Japanese prints, classical Greek sculpture, eighteenth-century Rococo painting, and the neoclassicism of his own time, Whistler hoped to liberate his art from the chains of narrative realism and Victorian morality. (SAAM)


Whistler, James (1834-1903)
Three Figures: Pink and Grey
Tate BritainLondon