Giordano, Luca (1634-1705) Mangiatore di pasta, Allegoria del gusto (Pasta Eater: Allegory of Taste) c.1660 Oil on canvas, 91.5 x 74 cm Princeton University Art Museum, Princeton Compare: Giordano, Luca (1634-1705) Mangiatore di pesce c.1660 Kunsthistorisches Museum, Vienna
Gérôme, Jean-Léon (1824-1904) Napoléon en Egypte (Napoleon in Egypt) 1867–1868 Oil on wood panel, 35.8 x 25 cm Princeton University Art Museum, Princeton During the Second Empire (1852–70), Napoleon III encouraged the cult of his uncle, Napoleon Bonaparte, whose 1798 Egyptian…
Géricault, Théodore (1791-1824) Satyre et nymphe (Satyr and Nymph) 1817 Black chalk with brown wash and white gouache, 22.2 x 18.2 cm Princeton University Art Museum, Princeton
Géricault, Théodore (1791-1824) Le Sommeil des Paysans (The Sleep of the Peasants) c.1808–1812 Oil on wood panel, 77.5 x 57.1 cm Princeton University Art Museum, Princeton Impatient with studio routine, Géricault spent four years teaching himself by copying paintings in the…
Gauguin, Paul (1848-1903) Femme de la Martinique (Woman of Martinique) 1889 Painted clay, textile, paper, wooden base, 19.7 × 11.1 × 7 cm Princeton University Art Museum, Princeton This sculpture reveals an array of references to non‑Western cultures that the artist…
Flinck, Govert (1615-1660) Seated Youth s.d. Black chalk, heightened with white, 39.5 x 26.3 cm Princeton University Art Museum, Princeton
Fantin-Latour, Henri (1836-1904) Vase de fleurs (Vase of Flowers) 1861 Oil on canvas, 44.4 x 36 cm Princeton University Art Museum, Princeton The painter and critic Jacques-Émile Blanche (1861–1942) compared Fantin-Latour’s studies of the flower—”its grain, its tissue”—to the observation of…
(1856–1939) Sigismund Schlomo Freud Works: • A General Introduction to Psychoanalysis (English) • Das Unheimliche (German) • Der Moses des Michelangelo (German) • Die Traumdeutung (German) • Group Psychology and The Analysis of The Ego (English) • Leonardo da Vinci…
Ernst, Max (1891-1976) The Witch 1941 Oil on canvas, 24.5 × 19 cm Princeton University Art Museum, Princeton Like many avant-garde European artists of his generation, Ernst was influenced by Sigmund Freud’s writings on the unconscious, the irrational, and the uncanny.…
Ensor, James (1860-1949) Le Fantôme, vision devançant le futurisme (Apparition: Vision Preceding Futurism, Nightmare) 1886 Colored crayon, gouache and gold paint, 21.7 x 29.5 cm Princeton University Art Museum, Princeton