Tissot, James (1836-1902) London Visitors 1874 Oil on canvas, 87 x 62.87 cm Milwaukee Art Museum, Milwaukee Standing underneath the portico of the newly constructed National Gallery in London, with the church of Saint Martin-in-the-Fields framed behind them, a fashionably dressed couple…
Sisley, Alfred (1839-1899) La Neige à Louveciennes (Snow at Louveciennes) c.1874 Oil on canvas, 46.3 x 55.8 cm Courtauld Institute of Art, London Louveciennes lies about sixteen kilometres west of Paris. Sisley painted many views of and around this village in the…
Manet, Édouard (1832-1883) Bords de la Seine à Argenteuil (Banks of the Seine at Argenteuil) 1874 Oil on canvas, 62.3 x 103 cm Courtauld Institute of Art, London This work is one of Édouard Manet’s most vivid experiments in painting outdoors, inspired…
Degas, Edgar (1834-1917) Eugène Manet 1874 Oil on paper laid down on board, 63 × 79.5 cm Private collection See also: • Manet, Eugène (1833-1892)
Monet, Claude (1840-1926) La Promenade avec le pont du chemin de fer à Argenteuil (The Promenade with the Railroad Bridge, Argenteuil) 1874 Oil on canvas, 53.7 x 72.1 cm Saint Louis Art Museum, St. Louis This work was painted in the year…
Monet, Claude (1840-1926) Bassin d’Argenteuil avec un seul voilier (Argenteuil Basin with a Single Sailboat) 1874 Oil on canvas, 55 x 65 cm National Gallery of Ireland, Dublin From 1871 to 1878, Monet lived in Argenteuil on the outskirts of Paris. During…
Cézanne, Paul (1839-1906) Une moderne Olympia (A modern Olympia) 1873–1874 Oil on canvas, 46.2 x 55.5 cm Musée d’Orsay, Paris Cézanne‘s early works, executed in dark colors, were strongly inspired by those of the Old Masters and by the compositions of Delacroix,…
Pissarro, Camille (1830-1903) Portrait de Cézanne (Portrait of Cézanne) 1874 Oil on canvas, 73 × 59.7 cm National Gallery, London On loan from the collection of Laurence Graff OBE, © Laurence Graff OBE Pissarro‘s influence profoundly changed the direction of Cézanne‘s art…
Burne-Jones, Edward (1833-1898) The Garden Court 1870–1875 Graphite and watercolor, heightened with white gouache, on paper, 32.3 x 60.2 cm Cleveland Museum of Art, Cleveland Art historian Andrea Wolk Rager has interpreted this drawing as related to Edward Burne-Jones‘s socialist beliefs,…
Bonheur, Rosa (1822-1899) La Ferme à l’entrée du bois (The Farm at the Entrance of the Wood) 1860–1880 Oil on fabric, 28.4 x 40.3 cm Cleveland Museum of Art, Cleveland Bonheur‘s artistic work led her to pastures, fairs, and even slaughterhouses—unlikely…