Morisot, Berthe (1841-1895) Julie Rêveuse (Julie Daydreaming) 1894 Oil on canvas Private collection See also: • Manet, Julie (1878-1966)
Julie Rêveuse (1894)
Tag: daughter
Bella au col blanc (1917)
Chagall, Marc (1887-1985) Bella au col blanc (Bella with White Collar) 1917 Oil on linen, 149 x 72 cm Musée National d’Art Moderne, Paris The writer Bella Rosenfeld, represented here as a giantess, would be Chagall‘s muse throughout her life. Taking up…
Berthe Morisot dessinant, avec sa fille (1888)
Morisot, Berthe (1841-1895) Berthe Morisot dessinant, avec sa fille (Berthe Morisot drawing, with her daughter) 1888 Drypoint on paper, 18.9 x 13.8 cm Rijksmuseum, Amsterdam Morisot‘s prints were first printed between 1888–1890. A first reprint as a series by Ernst Rouart…
Lot e le sue figlie (c.1622)
Gentileschi, Orazio (1563-1639) Lot e le sue figlie (Lot and His Daughters) c.1622 Oil on canvas, 151.8 × 189.2 cm Getty Center, Los Angeles From the safety of the cave where they have taken refuge, Lot’s daughters appear absorbed by an…
Portrait of Margaret Gainsborough holding a Theorbo (c.1777)
Gainsborough, Thomas (1727-1788) Portrait of Margaret Gainsborough holding a Theorbo c.1777 Oil on canvas, 90.2 × 69.9 cm National Gallery, London This unfinished portrait of Thomas Gainsborough’s youngest daughter, Margaret (1751–1820), playing a theorbo (a kind of lute) unites two particularly personal…
The Artist’s Daughter Margaret (c.1772)
Gainsborough, Thomas (1727-1788) The Artist’s Daughter Margaret c.1772 Oil on canvas, 75.6 × 62.9 cm Tate Britain, London Gainsborough’s younger daughter, Margaret, was in her mid-twenties when her father painted this portrait. At the time she was still living with her elder…
The Artist’s Daughter Mary (1777)
Gainsborough, Thomas (1727-1788) The Artist’s Daughter Mary 1777 Oil on canvas, 77.5 × 64.8 cm Tate Britain, London On loan to Gainsborough’s House (Sudbury, UK). Gainsborough was very fond of his two daughters and painted them frequently from childhood into their late…
The Father’s Leave-taking (1879)
Hunt, William Holman (1827-1910) The Father’s Leave-taking 1879 Etching, 18.9 x 25.3 cm Princeton University Art Museum, Princeton Of the three founding members of the Pre-Raphaelite Brotherhood (Rossetti, Hunt, and Millais), William Holman Hunt was the most dedicated to working directly…
The Woodman’s Daughter (1851)
Millais, John Everett (1829-1896) The Woodman’s Daughter 1851 Oil on canvas, 89 x 65 cm Guildhall Art Gallery, London Study: Millais, John Everett (1829-1896) Sketch for The Woodman’s Daughter 1850 Princeton University Art Museum, Princeton See also: • Patmore, Coventry (1823-1896)
Sketch for The Woodman’s Daughter (1850)
Millais, John Everett (1829-1896) Sketch for The Woodman’s Daughter 1850 Graphite with touches of pen and brown ink, 24.4 x 17.2 cm Princeton University Art Museum, Princeton This small graphite sketch is a study for a celebrated painting from 1851 by…