Bracquemond, Félix (1833-1914) La terrasse de la Villa Brancas (The Terrace of the Villa Brancas) 1876 Etching on laid paper, 25.4 x 35.4 cm Cleveland Museum of Art, Cleveland Here, two women are seated on a sunny terrace in the lush landscape…
Bernard, Émile (1868-1941) Caricature de Paul Gauguin (Caricature of Paul Gauguin) 1889 Watercolor and black ink on paper, 19.9 x 15.5 cm Cleveland Museum of Art, Cleveland Émile Bernard worked closely with Paul Gauguin in the village of Pont-Aven during the…
Bazille, Frédéric (1841-1870) Portrait de Renoir (Portrait of Renoir) 1867 Oil on canvas, 40.5 x 32.5 cm Cleveland Museum of Art, Cleveland Born to a wealthy family in Montpellier, France, Bazille came to Paris to study medicine and provided crucial financial…
David, Jacques-Louis (1748-1825) Cupidon et Psyché (Cupid and Psyche) 1817 Oil on canvas, 184.2 x 241.6 cm Cleveland Museum of Art, Cleveland Jacques-Louis David included two butterflies in this painting: one above the slumbering Psyche and the other on the base…
Pollock, Jackson (1912-1956) Naked Man with Knife c.1938–1940 Oil on canvas, 134.7 x 99 x 6.5 cm Tate Britain, London Pollock was beginning to find his own individual style when he made this work. The startlingly violent image of three interlocking…
Reynolds, Joshua (1723-1792) Self-Portrait as a Deaf Man c.1775 Oil on canvas, 75.9 x 63.4 cm Tate Britain, London Creating self-portraits in character or pulling a face was a traditional form of student exercise. But this image was created when the…
Redon, Odilon (1840-1916) Profile de femme avec vase de fleurs (Profile of a Woman with a Vase of Flowers) c.1895–1905 Oil on canvas, 65.5 x 50.5 cm Tate Britain, London This medium-size oil painting by the French artist Odilon Redon depicts…
Morisot, Berthe (1841-1895) Jeune femme au divan (Girl on a Divan) c.1885 Oil on canvas, 61 x 50.2 cm Tate Britain, London The artist’s grandson Denis Rouart writes (9 October 1969): ‘This painting was sold by my mother direct to Vollard…
Moore, Henry (1898-1986) Girl 1931 Ancaster stone, 86.5 x 60 x 43.3 cm (including base and wooden board) Tate Britain, London From the mid-1920s Moore had advocated the abolition of the ‘Greek ideal’ in sculpture in favour of non-European sources, which…