Tag: gold

Danae (c.1623)

Gentileschi, Orazio (1563-1639) Danae c.1623 Oil on canvas, 162 x 228.5 cm Cleveland Museum of Art, Cleveland The gauzy scarf draped over Danaë was a studio prop present in many of Orazio‘s paintings. Danaë’s father feared a prophecy that his grandson…

John the Baptist (c.1410)

Campin, Robert (c.1378-1444) John the Baptist c.1410 Oil on oak panel, 17.3 x 11.6 cm Cleveland Museum of Art, Cleveland According to tradition, John the Baptist wears a hair shirt under a white cloth, associated with newly baptized Christians. The flag…

Cupidon et Psyché (1817)

David, Jacques-Louis (1748-1825) Cupidon et Psyché (Cupid and Psyche) 1817 Oil on canvas, 184.2 x 241.6 cm Cleveland Museum of Art, Cleveland Jacques-Louis David included two butterflies in this painting: one above the slumbering Psyche and the other on the base…

Incoronazione della Vergine (1420s)

Angelico, Fra (c.1395-1455) Incoronazione della Vergine (Coronation of the Virgin) 1420s Tempera and gold on wood panel, 27 x 37.2 cm Cleveland Museum of Art, Cleveland Since its acquisition in 1944 the authorship of this painting has been updated from the…

The Golden Stairs (1880)

Burne-Jones, Edward (1833-1898) The Golden Stairs 1880 Oil on canvas, 269.2 x 116.8 cm Tate Britain, London This painting is an example of Burne-Jones’s interest in investigating a mood rather than telling a story. He deliberately made his pictures mysterious and…

Adam and Eve (1642)

Jordaens, Jacob (1593-1678) Adam and Eve 1642 Oil on canvas, 203.2 x 182.9 cm Toledo Museum of Art, Toledo Compare: Jordaens, Jacob (1593-1678) Adam and Eve 1640s Museum of Fine Arts, Budapest    

The Salutation of Beatrice (1880-1882)

Rossetti, Dante Gabriel (1828-1882) The Salutation of Beatrice 1880–1882 Oil on canvas, 154.3 × 91.4 cm Toledo Museum of Art, Toledo The woman in this painting embodies the Pre-Raphaelite ideal of beauty with her pale face, full lips, and thick, wavy,…

Perseus and Andromeda (1875)

Burne-Jones, Edward (1833-1898) Perseus and Andromeda (study for The Doom Fulfilled) 1875 Gouache with gold paint on board, 33 x 30.3 cm Art Institute of Chicago, Chicago Compare: Burne-Jones, Edward (1833-1898) The Doom Fulfilled 1888 Staatsgalerie, Stuttgart    

Cupid’s Hunting Fields (1885)

Burne-Jones, Edward (1833-1898) Cupid’s Hunting Fields 1885 Gouache, with watercolor and gold and silver paints on ivory wove paper, laid down on linen canvas, 99.5 x 76.9 cm Art Institute of Chicago, Chicago