Rembrandt (1606-1669) Ecce Homo 1634 Oil on paper mounted onto canvas, 54.5 x 44.5 cm National Gallery, London ‘Ecce Homo’, the Latin title of this painting, is taken from the Bible, and means ‘Behold the man!’ These were the words…
Ecce Homo (1634)
Tag: hand
Belshazzar’s Feast (c.1636-1638)
Rembrandt (1606-1669) Belshazzar’s Feast c.1636–1638 Oil on canvas, 167.6 x 209.2 cm National Gallery, London Belshazzar’s Feast was painted somewhere between 1636 and 1638, when Rembrandt was about 30 years old. He had to make his way in Amsterdam, a…
Anna and the Blind Tobit (c.1630)
Rembrandt (1606-1669) Anna and the Blind Tobit c.1630 Oil on oak, 63.8 x 47.7 cm National Gallery, London Even as a young man, Rembrandt was interested in the depiction of old age and aged people. He painted them as if…
Venus and Cupid (after 1660)
Rembrandt (1606-1669) Venus and Cupid after 1660 Oil on canvas, 118 x 90 cm Musée du Louvre, Paris Former title: Hendrickje Stoffels as Venus For vague reasons of resemblance, the painting passes, a pure supposition of Bredius (1910), to represent…
Portrait of Hendrickje Stoffels (c.1654)
Rembrandt (1606-1669) Portrait of Hendrickje Stoffels c.1654 Oil on canvas, 74 x 61 cm Musée du Louvre, Paris Since 1883 (Bode), the model has passed convincingly to be Hendrickje Stofetls, the painter’s partner after Saskia‘s death in 1642. Typical Neo-Vetanian…
The Supper at Emmaus (1648)
Rembrandt (1606-1669) The Supper at Emmaus 1648 Oil on mahogany, 68 x 65 cm Musée du Louvre, Paris Scene taken from the Gospel of Saint Luke (XXIV, 13-33), in which Christ, the day after his resurrection, reveals his divinity to…
Self-Portrait at an Easel (1660)
Rembrandt (1606-1669) Self-Portrait at an Easel 1660 Oil on canvas, 111 x 85 cm Musée du Louvre, Paris One of Rembrandt‘s large self-portraits with those of Vienna (1652), the Frick Collection in New York (1658) and Kenwood (c.1665–1669), all late…
The Holy Family with St Anne (1640)
Rembrandt (1606-1669) The Holy Family with St Anne 1640 Oil on panel, 41 x 34 cm Musée du Louvre, Paris The Christian meaning of the painting has often been obliterated in favor of a purely secular interpretation: for example at…
The Archangel Raphael Leaving Tobias’ Family (1637)
Rembrandt (1606-1669) The Archangel Raphael Leaving Tobias’ Family 1637 Oil on panel, 66 x 52 cm Musée du Louvre, Paris Tobit, Tobit’s old father, having regained his sight through the medication of the archangel Raphael, gives thanks to God with…
Bathsheba at Her Bath (1654)
Rembrandt (1606-1669) Bathsheba at Her Bath 1654 Oil on canvas, 142 x 142 cm Musée du Louvre, Paris Subject taken from the Bible (II Book of Samuel, the importance of the letter delivered to Bathsheba, the strong point of an…