Canova, Antonio (1757-1822) Naiade (Naiad) model 1815–1817, carved 1820–1823 Marble, 80 x 190 cm National Gallery of Art, Washington Compare: Canova, Antonio (1757-1822) Naiade 1819–1824 Metropolitan Museum of Art, New York
Naiade (1815-1823)
Tag: hand
Naiade (1819-1824)
Canova, Antonio & studio (1757-1822) Naiade (Reclining Naiad) 1819–1824 Carrara marble, 88.9 × 190.5 × 82.6 cm, 1160.3 kg Metropolitan Museum of Art, New York This is a variant of the Reclining Venus with Cupid, now in Buckingham Palace, which was…
Perseo con la testa della Medusa (1804-1806)
Canova, Antonio (1757-1822) Perseo con la testa della Medusa (Perseus with the Head of Medusa) 1804–1806 Marble, 242.6 x 191.8 x 102.9 cm Metropolitan Museum of Art, New York When Countess Valeria Tarnowska first met the sculptor Antonio Canova, on December…
Paride (1807-1816)
Canova, Antonio (1757-1822) Paride (Paris) 1807–1816 Marble, 205 x 99 x 55 cm Neue Pinakothek, Munich
Paride (1812-1813)
Canova, Antonio (1757-1822) Paride (Paris) 1812–1813 Marble, h. 207 cm Hermitage Museum, Saint Petersburg
Venere e Marte (1817-1822)
Canova, Antonio (1757-1822) Venere e Marte (Venus and Mars) 1817–1822 Marble, 208 x 137 x 65.5 cm Royal Collection, Buckingham Palace, London
Terpsichore Lyran (1816)
Canova, Antonio (1757-1822) Terpsichore Lyran (Muse of Lyric Poetry) 1816 Marble, 177.5 x 78.1 x 61 cm Cleveland Museum of Art, Cleveland Trained by his grandfather, an Italian stonemason, Canova began modeling clay and carving marble sculptures before age ten. In…
Letizia Ramolino Bonaparte (1804-1807)
Canova, Antonio (1757-1822) Letizia Ramolino Bonaparte 1804–1807 Marble, h. 145 cm Chatsworth House, Derbyshire, England See also: • Ramolino Bonaparte, Maria Letizia (1750-1836)
Venus Italica (c.1812)
Canova, Antonio (1757-1822) Venus Italica c.1812 Marble, h. 178 cm Galleria Palatina, Firenze
Orfeo (1776)
Canova, Antonio (1757-1822) Orfeo (Orpheus) 1776 Marble, 203 x 85 cm Museo Correr, Venezia Orpheus and Eurydice: