Lippi, Filippo (1406-1469) L’Arcangelo Michele (The Archangel Michael) 1458 Tempera on wood panel, 81.3 x 29.8 x 3 cm Cleveland Museum of Art, Cleveland Pair of Panels from a Triptych: The Archangel Michael and St. Anthony Abbot. These panels depicting Saints…
Jordaens, Jacob (1593-1678) The Betrayal of Christ late 1650s Oil on canvas, 225.5 x 246.3 cm Cleveland Museum of Art, Cleveland After the deaths of fellow Flemish painters Peter Paul Rubens in 1640 and Anthony van Dyck in 1641, Jordaens became…
Tiziano (c.1488-1576) Incoronazione di spine (The Crowning with Thorns) 1540–1543 Oil on panel, 303 x 180 cm Musée du Louvre, Paris Painted between 1540 and 1543 for the Confraternità di Santa Corona and placed in the funerary chapel of the brotherhood (decorated…
Turner, Joseph Mallord William (1775-1851) Mars and Venus, after Guercino 1802 Graphite on paper, 12.8 × 11.4 cm Tate Britain, London Compare: Guercino (1591-1666) Venere, Marte e Amore 1633 Galleria Estense, Modena See also: • Guercino (1591-1666)
Guercino (1591-1666) Venere, Marte e Amore (Venus, Mars and Cupid) 1633 Oil on canvas, 139 x 161 cm Galleria Estense, Modena Following the indication of Venus, whose right hand is painted almost in a trompe l’oeil, Cupid is about to…
Hunt, William Holman (1827-1910) Rienzi vowing to obtain Justice 1849 Oil on canvas, 83 x 117 cm National Gallery, London Cola di Rienzo vowing to obtain justice for the death of his young brother, slain in a skirmish between the Colonna…
Van Dyck, Anthony (1599-1641) The Mocking of Christ 1628–1630 Oil on canvas, 112 x 93 cm Princeton University Art Museum, Princeton The most brilliant of Peter Paul Rubens’s assistants, Van Dyck left Antwerp to pursue his career in London and Genoa.…
Parmigianino (1503-1540) Figura seduta di Pallade Atena (Seated Figure of Pallas Athena) 1531–1535 Pen and brown ink on light tan laid paper prepared with salmon wash, 5.8 × 5.8 cm Princeton University Art Museum, Princeton These three fragments represent Parmigianino’s preliminary ideas…
Murillo, Bartolomé Esteban (1617-1682) La Adoración de los Reyes Magos (The Adoration of the Magi) c.1655–1660 Oil on canvas, 190.8 x 146.1 cm Toledo Museum of Art, Toledo Bartolomé Esteban Murillo became the leading painter in devoutly Catholic Seville, Spain, from…
Burne-Jones, Edward (1833-1898) Perseus and Andromeda (study for The Doom Fulfilled) 1875 Gouache with gold paint on board, 33 x 30.3 cm Art Institute of Chicago, Chicago Compare: Burne-Jones, Edward (1833-1898) The Doom Fulfilled 1888 Staatsgalerie, Stuttgart