Tag: moustache

Autoportrait (c.1893)

Gauguin, Paul (1848-1903) Autoportrait (Self-portrait) c.1893 Oil on canvas, 46 × 38.1 cm Detroit Institute of Arts, Detroit Gauguin exemplified the restless artistic spirit. In this image, painted during a brief return to Paris from Tahiti in 1893, he plays the…

Ecce Homo (c.1525-1530)

Correggio (c.1489-1534) Ecce Homo (Christ presented to the People) c.1525–1530 Oil on poplar, 99.7 x 80 cm National Gallery, London Correggio shows Christ bound and crowned with thorns at the moment when he is condemned to be crucified by Pontius Pilate.…

Matrimonio mistico di santa Caterina (c.1527-1529)

Parmigianino (1503-1540) Matrimonio mistico di santa Caterina (Mystic Marriage of Saint Catherine) c.1527–1529 Oil on wood, 73 x 58 cm Private collection Compare: Parmigianino (1503-1540) Matrimonio mistico di santa Caterina c.1527–1531 National Gallery, London     Parmigianino (1503-1540) Matrimonio mistico di santa Caterina c.1529…

Matrimonio mistico di santa Caterina (c.1527-1531)

Parmigianino (1503-1540) Matrimonio mistico di santa Caterina (Mystic Marriage of Saint Catherine) c.1527–1531 Oil on wood, 74.2 x 57.2 cm National Gallery, London The infant Christ turns to look back at his mother as he places a ring on Saint Catherine’s finger.…

Visione di san Girolamo (1526-1527)

Parmigianino (1503-1540) Visione di san Girolamo (Vision of Saint Jerome) 1526–1527 Oil on poplar, 342.9 x 148.6 cm National Gallery, London This altarpiece is the greatest work that Parmigianino painted in Rome. It was commissioned by Maria Bufolina for a burial…

Uomo che sospende la lettura (1525-1526)

Parmigianino (1503-1540) Uomo che sospende la lettura (Portrait of a man with a book) 1525–1526 Oil on poplar, 67.5 × 53 cm Kunsthistorisches Museum, Vienna The stranger has paused while reading and now seems to be indulging in his own thoughts. His…

Ritratto di un dignitario (c.1535)

Parmigianino (1503-1540) Ritratto di un dignitario (Portrait of a dignitary) c.1535 Oil on poplar, 117.5 × 97.7 cm Kunsthistorisches Museum, Vienna The grandiose portrayal of the menacingly close man with his head turned to the side oscillates between violence and passivity, between…

Conversione di san Paolo (c.1527-1528)

Parmigianino (1503-1540) Conversione di san Paolo (The Conversion of St Paul) c.1527–1528 Oil on canvas, 177.5 × 128.5 cm Kunsthistorisches Museum, Vienna As the Acts of the Apostles recount, Saul was suddenly surrounded by heavenly light on his way to Damascus, where…

Allegoria del Vizio (c.1531)

Correggio (c.1489-1534) Allegoria del Vizio (Allegory of Vice) c.1531 Tempera on canvas, 14.2 × 85.5 cm Musée du Louvre, Paris Companion: Correggio (c.1489-1534) Allegoria della Virtù c.1531 Musée du Louvre, Paris     See also: • Isabella d’Este, Marchesa di Mantova (1474-1539)