Ingres, Jean Auguste Dominique (1780-1867) Statue dite “Bacchus Richelieu” (The so-called “Bacchus Richelieu”) 1793 Charcoal with stumping slightly accented with black chalk, 70 × 53 cm Princeton University Art Museum, Princeton Ingres‘s early academic training in Toulouse is reflected in this…
Géricault, Théodore (1791-1824) Satyre et nymphe (Satyr and Nymph) 1817 Black chalk with brown wash and white gouache, 22.2 x 18.2 cm Princeton University Art Museum, Princeton
Burne-Jones, Edward (1833-1898) Nymphs of the Moon 1896 Tempera on paper, 32.8 x 24.8 cm National Museum Wales, Cardiff
Burne-Jones, Edward (1833-1898) Perseus and the Graiae 1877 Oil, gold leaf, silver leaf and gesso on oak, 152 x 169 cm National Museum Wales, Cardiff This extraordinary work occupies the boundary between painting and sculpture, and was the centrepiece of one…
Burne-Jones, Edward (1833-1898) Venus Discordia 1873 Oil on canvas, 128.2 x 209.8 cm National Museum Wales, Cardiff Born in Birmingham, but of Welsh extraction, Burne-Jones was much admired by early twentieth-century Welsh critics. A friend of William Morris and an associate…
Burne-Jones, Edward (1833-1898) Perseus and Andromeda (study for The Doom Fulfilled) 1875 Gouache with gold paint on board, 33 x 30.3 cm Art Institute of Chicago, Chicago Compare: Burne-Jones, Edward (1833-1898) The Doom Fulfilled 1888 Staatsgalerie, Stuttgart
Burne-Jones, Edward (1833-1898) The Doom Fulfilled 1888 Oil on canvas, 155 x 140.5 cm Staatsgalerie, Stuttgart Study: Burne-Jones, Edward (1833-1898) Perseus and Andromeda 1875 Art Institute of Chicago, Chicago This picture, like other members of the series, draws upon…
Burne-Jones, Edward (1833-1898) Cupid’s Hunting Fields 1885 Gouache, with watercolor and gold and silver paints on ivory wove paper, laid down on linen canvas, 99.5 x 76.9 cm Art Institute of Chicago, Chicago
Burne-Jones, Edward (1833-1898) Ariadne 1863–1864 Watercolor and gouache over graphite on paper, 123.8 x 54 cm National Gallery of Art, Washington
Burne-Jones, Edward (1833-1898) The Love Song 1868–1877 Oil on canvas, 114.3 x 155.9 cm Metropolitan Museum of Art, New York Burne-Jones associated this painting with a refrain from a French folk ballad: “Alas, I know a love song, / Sad or…