Tag: PUAM

Il Poeta (c.1620-1621)

Ribera, Jusepe de (1591-1652) Il Poeta (The Poet) c.1620–1621 Etching, 15.8 x 12.1 cm Princeton University Art Museum, Princeton Ribera produced a small but distinctive group of sixteen etchings, most during a short span in the 1620s. Etching was then undergoing…

The Infant Hercules (c.1785-1789)

Reynolds, Joshua (1723-1792) The Infant Hercules c.1785–1789 Oil on millboard, 25.5 × 21 cm Princeton University Art Museum, Princeton This is believed to be a preparatory sketch for a history painting commissioned by Catherine the Great, with the subject left to…

Self portrait with Saskia (1636)

Rembrandt (1606-1669) Self portrait with Saskia 1636 Etching, 10.4 x 9.5 cm Princeton University Art Museum, Princeton Rembrandt painted, etched, and drew more than seventy-five self-portraits. A few of these include his first wife, Saskia van Uylenburgh, whom he married in…

Apparition (1905-1910)

Redon, Odilon (1840-1916) Apparition 1905–1910 Oil on canvas, 65 x 50 cm Princeton University Art Museum, Princeton During the 1890s, Redon shifted his attention from charcoal drawing and lithography to a practice that embraced color, working in pastels and oil paints.…

Le fils prodigue (1879)

Puvis de Chavannes, Pierre (1824-1898) Le fils prodigue (The Prodigal Son) 1879 Oil on canvas, 59.4 x 71.5 cm Princeton University Art Museum, Princeton Compare: Puvis de Chavannes, Pierre (1824-1898) Le fils prodigue c.1879 National Gallery of Art, Washington     Puvis de Chavannes,…

San Bartolomeo (c.1497)

Pinturicchio (c.1454-1513) San Bartolomeo (Saint Bartholomew) c.1497 Tempera on wood panel, 59.6 x 51 cm Princeton University Art Museum, Princeton Flayed and crucified for spreading Christ’s word through Armenia and India, the apostle Bartholomew was represented horrifically, holding his own skin,…

Tête d’homme et nu assis (1964)

Picasso, Pablo (1881-1973) Tête d’homme et nu assis (Head of a Man and Seated Nude) 1964 Oil on canvas, 65 x 81 cm Princeton University Art Museum, Princeton Produced late in Picasso’s career, many years after the Cubist period that defined…

Due studi per la figura della Vittoria (1531-1535)

Parmigianino (1503-1540) Due studi per la figura della Vittoria (Two Studies for Figure of Victory) 1531–1535 Pen and brown ink on light tan laid paper prepared with salmon wash, 6.8 × 10.8 cm Princeton University Art Museum, Princeton These three fragments represent Parmigianino’s…