Andrea del Sarto (1486-1530) Sacra Famiglia Medici (Madonna and Child, Saint Elizabeth and Saint John the Baptist) c.1529 Oil on panel, 140 × 104 cm Galleria Palatina, Palazzo Pitti, Firenze The scene is built with a diagonal layout of the four figures intent…
Picasso, Pablo (1881-1973) La Vie (Life) 1903 Oil on canvas, 196.5 x 129.2 cm Cleveland Museum of Art, Cleveland In 1901, depressed over the suicide of a close friend, Picasso launched into the melancholic paintings of his Blue period (1901–4). Only…
Parmigianino (1503-1540) La sepoltura (The Entombment) 1529–1530 Etching, 27.1 x 20.4 cm Cleveland Museum of Art, Cleveland One of the most important Mannerist painters, Parmigianino was the first artist to exploit the fluid, expressive potential of etching. The graphic vocabulary of…
Murillo, Bartolomé Esteban (1617-1682) Labán en busca de sus dioses domésticos robados (Laban Searching for his Stolen Household Gods) c.1665–1670 Oil on canvas, 243 x 362 cm Cleveland Museum of Art, Cleveland This story comes from the Old Testament book of…
Orozco, José Clemente (1883-1949) Soldado herido (Wounded Soldier) 1930 Oil on canvas, 113 x 93 cm Cleveland Museum of Art, Cleveland The central figure in a movement of revolutionary artists responding to political turmoil in Mexico during the 1920s, José Orozco believed…
Modotti, Tina (1896-1942) Orozco Mural, Preparatoria, Man Kissing Nun’s Hand 1926 Gelatin silver print, 18.3 x 24 cm Cleveland Museum of Art, Cleveland See also: • Orozco, José Clemente (1883-1949)
Millais, John Everett (1829-1896) Aeneas Shown the Body of Pallas from Virgil’s “Aeneid” 1843 Pen and black ink on original mount, 36.1 x 48.7 cm Cleveland Museum of Art, Cleveland Inscribed, original mount, lower right, in black ink: J. E. Millais…
Ingres, Jean Auguste Dominique (1780-1867) Persée et Andromède (Perseus and Andromeda) c.1819 Oil on canvas, 19.7 × 16.2 cm Detroit Institute of Arts, Detroit Ingres‘s vulnerable figure of Andromeda is the “classic” idealized figure study. The fact that she is being…
Parmigianino (1503-1540) Cupido che fabbrica l’arco (Bowcarving Cupid) 1534–1539 Oil on lime, 135.5 × 65 cm Kunsthistorisches Museum, Vienna The inspiration for this painting may have come from a sculpture that Parmigianino may have seen in the Grimani Collection in Venice in…
Carracci, Annibale (1560-1609) Madonna Montalto (The Holy Family with the Infant Saint John the Baptist) c.1600 Oil on copper, 35 x 27.5 cm National Gallery, London Domesticity reigns in this exquisite little picture. A delightfully pretty Virgin Mary balances a squirming,…