Laval, Charles (1861-1894) Allant au marché (Going to Market, Brittany) 1888 Oil on canvas, 37.5 x 46 cm Indianapolis Museum of Art, Indianapolis The Pont-Aven artists often painted aspects of daily life in Brittany. In this animated scene, a couple rides…
Gauguin, Paul (1848-1903) Les Meules jaunes, dit aussi La Moisson blonde (The Yellow Stacks, also known as The Blonde Harvest) 1889 Oil on canvas, 73 x 92.5 cm Musée d’Orsay, Paris Compare: Laval, Charles (1861-1894) Moisson en Bretagne c.1889 Private collection …
Laval, Charles (1861-1894) Moisson en Bretagne (Harvest in Brittany) c.1889 Oil on canvas, 40.5 x 63.5 cm Private collection Compare: Gauguin, Paul (1848-1903) Les Meules jaunes 1889 Musée d’Orsay, Paris See also: • Bretagne (France)
Laval, Charles (1861-1894) Femmes au bord de la mer, esquisse (Women by the sea, sketch) 1887–1889 Oil on canvas, 65 x 91.5 cm Musée d’Orsay, Paris See also: • Martinique (France)
Sargent, John Singer (1856-1925) Mountain Scene 1908 Watercolor and gouache over graphite, 25.4 x 35.6 cm Princeton University Art Museum, Princeton Sargent mastered the medium of watercolor as an adolescent, rapidly perfecting and gradually simplifying his virtuoso technique. He produced watercolors…
Rubens, Peter Paul (1577-1640) The Abduction of Ganymede c.1636 Oil on oak panel, 33 x 24.8 cm Princeton University Art Museum, Princeton
Rubens, Peter Paul (1577-1640) Death of Adonis 1639 Oil on wood panel, 34.6 x 52.4 cm Princeton University Art Museum, Princeton
Siddal, Elizabeth (1829-1862) King Arthur’s Death c.1859–1862 Graphite, 17.5 x 27.3 cm Princeton University Art Museum, Princeton Siddall was an artist, poet, model, and wife of the Pre-Raphaelite painter Dante Gabriel Rossetti. Although this drawing only outlines the event of King…
Waterhouse, John William (1849-1917) The Danaïdes 1903 Oil on canvas, 154.3 x 111 cm Private collection
Redon, Odilon (1840-1916) Apparition 1905–1910 Oil on canvas, 65 x 50 cm Princeton University Art Museum, Princeton During the 1890s, Redon shifted his attention from charcoal drawing and lithography to a practice that embraced color, working in pastels and oil paints.…