Whistler, James Abbott McNeill (1834-1903) Crepuscule in Opal, Trouville 1865 Oil on canvas, 34.9 x 46 cm Toledo Museum of Art, Toledo Though born in Massachusetts, Whistler spent most of his career in Europe, first in Paris, then settling in London…
Monet, Claude (1840-1926) Antibes vu de la Salis (Antibes Seen from La Salis) 1888 Oil on canvas, 73.3 × 92 cm Toledo Museum of Art, Toledo Monet chose to paint this view from the vantage point of the Garden of La…
Burne-Jones, Edward (1833-1898) Perseus and Andromeda (study for The Doom Fulfilled) 1875 Gouache with gold paint on board, 33 x 30.3 cm Art Institute of Chicago, Chicago Compare: Burne-Jones, Edward (1833-1898) The Doom Fulfilled 1888 Staatsgalerie, Stuttgart
Burne-Jones, Edward (1833-1898) The Doom Fulfilled 1888 Oil on canvas, 155 x 140.5 cm Staatsgalerie, Stuttgart Study: Burne-Jones, Edward (1833-1898) Perseus and Andromeda 1875 Art Institute of Chicago, Chicago This picture, like other members of the series, draws upon…
Bracquemond, Félix (1833-1914) Mouettes (Seagulls) s.d. Etching, 29.8 x 16.8 cm Princeton University Art Museum, Princeton
Boudin, Eugène (1824-1898) Le Havre c.1883–1887 Oil on wood panel, 27.1 x 21 cm Princeton University Art Museum, Princeton See also: • Le Havre (France)
Homer, Winslow (1836-1910) Northeaster 1895; reworked by 1901 Oil on canvas, 87.6 x 127 cm Metropolitan Museum of Art, New York On the Maine coast, a “nor’easter” is a storm of exceptional violence and duration. When Homer first showed this canvas…
Homer, Winslow (1836-1910) Dad’s Coming! 1873 Oil on wood, 22.9 x 34.9 cm National Gallery of Art, Washington A woman holding a baby stands near a young boy who perches in the tipped-up end of a rowboat that has been pulled…
Scott, William Bell (1811-1890) Portrait of Algernon Charles Swinburne 1860 Oil on canvas, 47 3/4 x 31.7 in. Private collection See also: • Swinburne, Algernon Charles (1837-1909)
Turner, Joseph Mallord William (1775-1851) The Storm 1840–1845 Oil on canvas, 54.6 × 77 × 7.4 cm Princeton University Art Museum, Princeton This seascape of 1840–45 and its companion picture, ‘The morning after the storm’, were apparently inspired by the great storm of 21…