Ruskin, John (1819-1900) Budding Sycamore 1875 Black and gray wash, gouache, and graphite, 34.8 x 44.8 cm Cleveland Museum of Art, Cleveland This drawing was used as an illustration in John Ruskin‘s manual on drawing, Rudimentary Studies. The most influential art…
Rodin, Auguste (1840-1917) Étude d’Honoré de Balzac (Study of Honoré de Balzac) 1891–1892 Bronze, 52.7 x 39.4 x 32.4 cm Cleveland Museum of Art, Cleveland In 1891 Rodin was commissioned to create a monument honoring the celebrated French writer Honoré de…
Redon, Odilon (1840-1916) Orphée (Orpheus) c.1903–1910 Pastel on brown paper, 68.8 x 56.8 cm Cleveland Museum of Art, Cleveland Drawn in vivid layers of pastel crayon, this work depicts the head of the poet and musician Orpheus. The story of the…
Rivera, Diego (1886-1957) Pescador (Fisherman) 1956 Tempera and black crayon on paper, 63 x 48.2 cm Cleveland Museum of Art, Cleveland Diego Rivera created this drawing during the last year of his life. While living on the Pacific coast of Mexico,…
Ribera, Jusepe de (1591-1652) San Girolamo (Saint Jerome) c.1638–1640 Oil on canvas, 129 x 100.3 cm Cleveland Museum of Art, Cleveland Saint Jerome (about ad 347–420) translated biblical texts into Latin. Although he sometimes appears as a scholar in his study,…
Murer, Eugène (1841-1906) Trilogy of Months, state II s.d. Color lithograph, 82.2 x 61 cm Cleveland Museum of Art, Cleveland See also: • Vollard, Ambroise (1866-1939)
Orozco, José Clemente (1883-1949) Soldado herido (Wounded Soldier) 1930 Oil on canvas, 113 x 93 cm Cleveland Museum of Art, Cleveland The central figure in a movement of revolutionary artists responding to political turmoil in Mexico during the 1920s, José Orozco believed…
Millais, John Everett (1829-1896) Aeneas Shown the Body of Pallas from Virgil’s “Aeneid” 1843 Pen and black ink on original mount, 36.1 x 48.7 cm Cleveland Museum of Art, Cleveland Inscribed, original mount, lower right, in black ink: J. E. Millais…
Ingres, Jean Auguste Dominique (1780-1867) Persée et Andromède (Perseus and Andromeda) c.1819 Oil on canvas, 19.7 × 16.2 cm Detroit Institute of Arts, Detroit Ingres‘s vulnerable figure of Andromeda is the “classic” idealized figure study. The fact that she is being…
Gentileschi, Artemisia (1593-c.1653) Autoritratto come allegoria della Pittura (Self-portrait as the Allegory of Painting) 1638–1639 Oil on canvas, 98.6 x 75.2 cm Royal Collection, Buckingham Palace, London Artemisia Gentileschi was invited to London in 1638 by Charles I, and probably produced this…