Whistler, James Abbott McNeill (1834-1903) Crepuscule in Opal, Trouville 1865 Oil on canvas, 34.9 x 46 cm Toledo Museum of Art, Toledo “Art should be independent of all claptrap—should stand alone, and appeal to the artistic sense of eye or ear,…
Turner, Joseph Mallord William (1775-1851) The Campo Santo, Venice 1842 Oil on canvas, 62.2 x 92.7 cm Toledo Museum of Art, Toledo Venice is radiant, if somewhat shabby, in Joseph Mallord William Turner’s view north across the Venetian Lagoon. The city…
Monet, Claude (1840-1926) Antibes vu de la Salis (Antibes Seen from La Salis) 1888 Oil on canvas, 73.3 × 92.1 cm Toledo Museum of Art, Toledo The shimmering light of mid-afternoon infuses Claude Monet’s painting of the old fortified coastal town…
Burne-Jones, Edward (1833-1898) Perseus and Andromeda (study for The Doom Fulfilled) 1875 Gouache with gold paint on board, 33 x 30.3 cm Art Institute of Chicago, Chicago Compare: Burne-Jones, Edward (1833-1898) The Doom Fulfilled 1888 Staatsgalerie, Stuttgart
Burne-Jones, Edward (1833-1898) The Doom Fulfilled 1888 Oil on canvas, 155 x 140.5 cm Staatsgalerie, Stuttgart Study: Burne-Jones, Edward (1833-1898) Perseus and Andromeda 1875 Art Institute of Chicago, Chicago This picture, like other members of the series, draws upon…
Corot, Jean-Baptiste-Camille (1796-1875) Daubigny travaillant sur le Botin près d’Auvers-sur-Oise (Daubigny working on his “Botin” near Auvers-sur-Oise) 1860 Oil on canvas, 24.3 x 34 cm Princeton University Art Museum, Princeton This painting is both a lyrical example of Corot’s late landscape…
Constable, John (1776-1837) Houses on a Riverbank c.1794 Blue and grey wash over graphite, 14.1 x 17.6 cm Princeton University Art Museum, Princeton The career of John Constable, one of Britain’s most iconic landscape painters, is represented here in its early stage.…
Boudin, Eugène (1824-1898) Le Havre c.1883–1887 Oil on wood panel, 27.1 x 21 cm Princeton University Art Museum, Princeton See also: • Le Havre (France)