Monet, Claude (1840-1926) Green Park, London 1870 or 1871 Oil on canvas, 34.3 × 72.5 cm Philadelphia Museum of Art, Philadelphia Detail of Apsley House, home of the Duke of Wellington, and his equestrian statue. See also: • London (England) | Wellington…
Burne-Jones, Edward (1833-1898) The Garden Court 1870–1875 Graphite and watercolor, heightened with white gouache, on paper, 32.3 x 60.2 cm Cleveland Museum of Art, Cleveland Art historian Andrea Wolk Rager has interpreted this drawing as related to Edward Burne-Jones‘s socialist beliefs,…
Bonheur, Rosa (1822-1899) La Ferme à l’entrée du bois (The Farm at the Entrance of the Wood) 1860–1880 Oil on fabric, 28.4 x 40.3 cm Cleveland Museum of Art, Cleveland Bonheur‘s artistic work led her to pastures, fairs, and even slaughterhouses—unlikely…
Whistler, James Abbott McNeill (1834-1903) Three Figures: Pink and Grey 1868–1878 Oil on canvas, 139.1 x 185.4 cm Tate Britain, London This picture derives from one of six oil sketches that Whistler produced in 1868 as part of a plan for…
Hunt, William Holman (1827-1910) The Shadow of Death 1870–1873 Oil on canvas, 214.2 x 168.2 cm Manchester Art Gallery, Manchester The picture shows a carpenter’s workshop. A youthful Christ, depicted as muscular and tanned, stands facing the front and stretching, with…
Corot, Jean-Baptiste-Camille (1796-1875) Canal en Picardie (Canal in Picardy) c.1865–1871 Oil on canvas, 46.7 x 61.6 cm Toledo Museum of Art, Toledo
Burne-Jones, Edward (1833-1898) The Love Song 1868–1877 Oil on canvas, 114.3 x 155.9 cm Metropolitan Museum of Art, New York Burne-Jones associated this painting with a refrain from a French folk ballad: “Alas, I know a love song, / Sad or…
Monet, Claude (1840-1926) Le Bassin de Londres (The Pool of London) 1871 Oil on canvas, 48.5 x 74.5 cm National Museum Wales, Cardiff Monet came to London in 1871 as a refugee from the Franco-Prussian war. This view of the Thames…
Millet, Jean-François (1814-1875) La famille paysanne (The peasant family) 1871–1872 Oil on canvas, 110.4 x 81 cm National Museum Wales, Cardiff The British painter Sickert commented: ‘The sublime man and his stolid spouse face the spectator with all the gravity and symmetry…
Millet, Jean-François (1814-1875) L’hiver, Ramasseuses de fagots (Winter, The Faggot Gatherers) 1868–1875 Oil on canvas, 82 x 100 cm National Museum Wales, Cardiff
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