Tag: 1873

The Garden Court (1870-1875)

Burne-Jones, Edward (1833-1898) The Garden Court 1870–1875 Graphite and watercolor, heightened with white gouache, on paper, 32.3 x 60.2 cm Cleveland Museum of Art, Cleveland Art historian Andrea Wolk Rager has interpreted this drawing as related to Edward Burne-Jones‘s socialist beliefs,…

La Ferme à l’entrée du bois (1860-1880)

Bonheur, Rosa (1822-1899) La Ferme à l’entrée du bois (The Farm at the Entrance of the Wood) 1860–1880 Oil on fabric, 28.4 x 40.3 cm Cleveland Museum of Art, Cleveland Bonheur‘s artistic work led her to pastures, fairs, and even slaughterhouses—unlikely…

Sir Edward Bulwer-Lytton

(1803–1873) Edward George Earle Lytton Bulwer-Lytton, 1st Baron Lytton, PC Works: • A Strange Story (English) • Athens: Its Rise and Fall (English) • Devereux (English) • Ernest Maltravers (English) • Eugene Aram (English) • Falkland (English) • Godolphin (English)…

Three Figures: Pink and Grey (1868-1878)

Whistler, James Abbott McNeill (1834-1903) Three Figures: Pink and Grey 1868–1878 Oil on canvas, 139.1 x 185.4 cm Tate Britain, London This picture derives from one of six oil sketches that Whistler produced in 1868 as part of a plan for…

The Shadow of Death (1870-1873)

Hunt, William Holman (1827-1910) The Shadow of Death 1870–1873 Oil on canvas, 214.2 x 168.2 cm Manchester Art Gallery, Manchester The picture shows a carpenter’s workshop. A youthful Christ, depicted as muscular and tanned, stands facing the front and stretching, with…

The Shadow of Death (1873-1874)

Hunt, William Holman (1827-1910) The Shadow of Death 1873–1874 Oil on panel, 104.5 x 82 cm Art Institute of Chicago, Chicago This minutely detailed painting depicts the young Jesus stretching after his day’s labor in his father’s carpentry shop. His mother,…

Venus Discordia (1873)

Burne-Jones, Edward (1833-1898) Venus Discordia 1873 Oil on canvas, 128.2 x 209.8 cm National Museum Wales, Cardiff Born in Birmingham, but of Welsh extraction, Burne-Jones was much admired by early twentieth-century Welsh critics. A friend of William Morris and an associate…

Auvers, Paysage à la charrue (1872-1877)

Daubigny, Charles-François (1817-1878) Auvers, Paysage à la charrue (Auvers, Landscape with Plough) 1872–1877 Oil on canvas, 46.5 x 81.5 cm Toledo Museum of Art, Toledo See also: • Auvers-sur-Oise (France)

The Love Song (1868-1877)

Burne-Jones, Edward (1833-1898) The Love Song 1868–1877 Oil on canvas, 114.3 x 155.9 cm Metropolitan Museum of Art, New York Burne-Jones associated this painting with a refrain from a French folk ballad: “Alas, I know a love song, / Sad or…