Tag: arm

Christ Crowned with Thorns, after Titian (1802)

Turner, Joseph Mallord William (1775-1851) Christ Crowned with Thorns, after Titian 1802 Graphite on paper, 12.8 x 11.4 cm Tate Britain, London Titian’s picture was painted for the church of Sta Maria delle Grazie in Milan, 1540–2. For Turner’s remarks on it,…

Naked Man with Knife (c.1938-1940)

Pollock, Jackson (1912-1956) Naked Man with Knife c.1938–1940 Oil on canvas, 134.7 x 99 x 6.5 cm Tate Britain, London Pollock was beginning to find his own individual style when he made this work. The startlingly violent image of three interlocking…

Frère et soeur (1891)

Rodin, Auguste (1840-1917) Frère et soeur (Brother and Sister) 1891 Painted plaster, 39.2 x 20.3 x 19.3 cm Tate Britain, London The first purchaser of this work was Walter Butterworth, who in 1911 negotiated the purchase of three bronzes by Rodin…

Jupiter and Antiope (1659)

Rembrandt (1606-1669) Jupiter and Antiope 1659 Etching, 13.9 x 20.1 cm Rijksmuseum, Amsterdam Rembrandt depicts the slumbering Antiope so convincingly that it seems he is drawing a model actually sleeping soundly. She lies in a totally relaxed pose, her lips parted and her…

Faune dévoilant une dormeuse (1936)

Picasso, Pablo (1881-1973) Faune dévoilant une dormeuse / Jupiter et Antiope, d’après Rembrandt (Faun Revealing a Sleeping Woman/Jupiter and Antiope, after Rembrandt) 1936 Etching and aquatint on paper, 31.6 x 41.7 cm Tate Britain, London Pablo Picasso’s Faun Revealing a Sleeping…

Girl (1931)

Moore, Henry (1898-1986) Girl 1931 Ancaster stone, 86.5 x 60 x 43.3 cm (including base and wooden board) Tate Britain, London From the mid-1920s Moore had advocated the abolition of the ‘Greek ideal’ in sculpture in favour of non-European sources, which…

L’Esprit de géométrie (1937)

Magritte, René (1898-1967) L’Esprit de géométrie (The Spirit of Geometry) 1937 Gouache on paper, 37.5 × 29.2 cm Tate Britain, London Magritte exchanges the heads of a mother and a baby – compressing one and enlarging the other. The effect is…

Mars and Venus, after Guercino (1802)

Turner, Joseph Mallord William (1775-1851) Mars and Venus, after Guercino 1802 Graphite on paper, 12.8 × 11.4 cm Tate Britain, London Compare: Guercino (1591-1666) Venere, Marte e Amore 1633 Galleria Estense, Modena    

Venere, Marte e Amore (1633)

Guercino (1591-1666) Venere, Marte e Amore (Venus, Mars and Cupid) 1633 Oil on canvas, 139 x 161 cm Galleria Estense, Modena Following the indication of Venus, whose right hand is painted almost in a trompe l’oeil, Cupid is about to…

L’enlèvement de Psyché (1895)

Bouguereau, William-Adolphe (1825-1905) L’enlèvement de Psyché (The Abduction of Psyche) 1895 Oil on canvas, 209 x 120 cm Private collection See also: • Apuleius (c.124-c.170): Psyche et Cupido (Latin)