Tag: figure

Paysage de Bretagne, Le moulin David (1894)

Gauguin, Paul (1848-1903) Paysage de Bretagne, Le moulin David (Landscape in Brittany, The David Mill) 1894 Oil on canvas, 73 x 92.2 cm Musée d’Orsay, Paris Just like Cézanne and Van Gogh, Gauguin was convinced that painting should not be limited…

Allant au marché (1888)

Laval, Charles (1861-1894) Allant au marché (Going to Market, Brittany) 1888 Oil on canvas, 37.5 x 46 cm Indianapolis Museum of Art, Indianapolis The Pont-Aven artists often painted aspects of daily life in Brittany. In this animated scene, a couple rides…

Les Meules jaunes (1889)

Gauguin, Paul (1848-1903) Les Meules jaunes, dit aussi La Moisson blonde (The Yellow Stacks, also known as The Blonde Harvest) 1889 Oil on canvas, 73 x 92.5 cm Musée d’Orsay, Paris Compare: Laval, Charles (1861-1894) Moisson en Bretagne c.1889 Private collection    …

Moisson en Bretagne (c.1889)

Laval, Charles (1861-1894) Moisson en Bretagne (Harvest in Brittany) c.1889 Oil on canvas, 40.5 x 63.5 cm Private collection Compare: Gauguin, Paul (1848-1903) Les Meules jaunes 1889 Musée d’Orsay, Paris     See also: • Bretagne (France)

King Arthur’s Death (c.1859-1862)

Siddal, Elizabeth (1829-1862) King Arthur’s Death c.1859–1862 Graphite, 17.5 x 27.3 cm Princeton University Art Museum, Princeton Siddall was an artist, poet, model, and wife of the Pre-Raphaelite painter Dante Gabriel Rossetti. Although this drawing only outlines the event of King…

Apparition (1905-1910)

Redon, Odilon (1840-1916) Apparition 1905–1910 Oil on canvas, 65 x 50 cm Princeton University Art Museum, Princeton During the 1890s, Redon shifted his attention from charcoal drawing and lithography to a practice that embraced color, working in pastels and oil paints.…

Due studi per la figura della Vittoria (1531-1535)

Parmigianino (1503-1540) Due studi per la figura della Vittoria (Two Studies for Figure of Victory) 1531–1535 Pen and brown ink on light tan laid paper prepared with salmon wash, 6.8 × 10.8 cm Princeton University Art Museum, Princeton These three fragments represent Parmigianino’s…

Studio per la figura della Vittoria (1531-1535)

Parmigianino (1503-1540) Studio per la figura della Vittoria (Study for Figure of Victory on Pectoral Brooch of Pallas Athena) 1531–1535 Pen and brown ink on light tan laid paper prepared with salmon wash, 6.2 × 11 cm Princeton University Art Museum, Princeton…

Figura seduta di Pallade Atena (1531-1535)

Parmigianino (1503-1540) Figura seduta di Pallade Atena (Seated Figure of Pallas Athena) 1531–1535 Pen and brown ink on light tan laid paper prepared with salmon wash, 5.8 × 5.8 cm Princeton University Art Museum, Princeton These three fragments represent Parmigianino’s preliminary ideas…